Translation. Region: Russian Federation –
Source: Melody – An important disclaimer is at the bottom of this article.
Melodiya's return to the world of vinyl is an event the industry has been talking about for years. Denis Boyarinov recalls how the label survived the 1990s, why the art of pressing records was lost in Russia, and the rationale behind the choice of its first releases.
The news that Melodiya had launched its own vinyl pressing plant in Novosibirsk and was once again pressing records in-house was a true joy for me. I've been following the company's fortunes for a long time—especially as a journalist, since the mid-2000s—and I know its post-Soviet history well. There were moments when Melodiya itself and its unique archive of audio recordings threatened to simply disappear. It's no secret that many—government officials and entrepreneurs alike—saw Melodiya's value only in its former premises on Tverskoy Boulevard. These were the darkest times: the fate of a company that embodied the entire history of Russian recordings, along with its vast archive of phonograms, an entire layer of the country's audio history, hung in the balance. All of this might simply not survive to this day.
When Melodiya ceased to be a state-owned company and became an independent private enterprise, continuing its work—preserving and researching audio archives, reissuing recordings, and even producing new phonograms—one crucial element was still missing: in-house record production. So, I was extremely excited about the launch of the new plant—incidentally, only the second in Russia. Especially since they managed to select the equipment, fine-tune the manufacturing processes, and launch replication in just a year, which is no easy feat technologically.
In Soviet times, Melodiya was the world's largest record label: several factories, several recording studios, a vast distribution network, and records sold in the millions. I have no illusions that we can return to those times—and there's no need. But having its own factory today means that it will be much easier for Melodiya to press records, which means they will ultimately be more affordable. It will also make it easier for other Russian labels and companies to press vinyl in Russia. What could be wrong with that?
When discussing the quality of Melodiya's new records, it's important to understand that vinyl pressing is essentially a handcrafted process, a delicate one with a high probability of defects. Even the weather affects record printing. It's far more complex than, say, publishing a book or reproducing a CD. The art of record production—and it is an art—was completely lost in Russia by the early 21st century: Melodiya's last pressing plants were dismantled and sold for spare parts in the early 1990s. These spare parts later surfaced in Europe, where skilled craftsmen assembled them into working production lines and, ironically, used them to press records for Russia, among others. In Russia, for a long time, no one even attempted to make vinyl. The first and, until recently, only full-cycle plant, Ultra Production, only opened in 2014.
Now Melodiya has joined the revival of lost art and forgotten technologies: they've found specialists who worked in Soviet factories, consult with them, and train young people. We'll find out how well Melodiya's own records will sound—we'll listen to them and compare—but the important thing is that the process has finally begun.
As for the choice of releases for the first wave of reissues, it seems quite logical to me. It might surprise the average listener, but for those interested in Soviet and "melody" vinyl, there are almost no surprises. Moreover, in my Telegram channel "Red Book", which is dedicated specifically to vinyl and Soviet musical heritage, some experts even criticized the selection for not being "rarity enough." I, however, see a clear internal logic to it.
David Tukhmanov's "On the Wave of My Memory" and Zodiac's "Disco Alliance" are both iconic and popular records for people born in the 1970s and 1980s. Their reissue on Melodiya's own, newly established Russian vinyl press has not only commercial but also symbolic significance. Moreover, these albums were first reissued at the Ultra Production plant, allowing them to be directly compared to the Novosibirsk Melodiya releases. Initial reviews suggest that the new Novosibirsk pressings sound better, confirming that the production process has been streamlined.
It's also important to remember that the Soviet editions of "Po volne moego pamiaty" and "Disco Alliance," which can be found in record shops and online stores today, sound different. It's not just that they're full of grit—old records suffer greatly with age. Modern vinyl reissues are tailored to today's listeners: the soundstage is structured differently, and even the bass sounds different—deeper and richer. It's akin to restoring classic films for modern cinemas—an attempt to bridge the gap created by technological advances.
The reissue of the debut album by the first Kazakh rock band, Dos-Mukasan, is another very precise and important step. This record is quite rare, and the originals are expensive, but now it will be much more accessible—in a new edition specially mastered for vinyl.
The release of the album "Autogenic Training Against Alcohol and Smoking" isn't just a joke for the initiated, but also an excellent example of the amazing recordings that can be found in Melodiya's catalog and the additional historical dimension each of them receives in the new edition.
What's worth reissuing next? Melodiya has a wealth of interesting material in its archives: cool, rare, obscure, and simply stunning music, ranging from the masters of Russian classical music to the folklore of vanishing peoples and countries. I know that Melodiya employees closely read my Telegram channel, where these kinds of records are discussed, and I send them my suggestions from time to time. I know several specialists who work with Melodiya: they are incredible fans and enthusiasts of their craft. In addition to vinyl records, Melodiya is actively involved in digital reissues via streaming services, bringing very rare recordings back into circulation. But vinyl records are a much more expensive business, and the logic here is different. Melodiya operates in a market-driven environment, and it's important to understand that a print run of 500-1,000 copies is a serious investment; some guarantee of a record's success is needed. It is necessary to constantly maintain a balance between the rare and the sought-after, between what is interesting to collectors and diggers, and what might attract a less sophisticated listener.
I know Melodiya is preparing several very interesting reissues for 2026 (the preparation of such releases can take anywhere from a year to several years). So, expect some truly amazing surprises. I won't give away everything—the important thing is that the vinyl pressing process has begun and can't be stopped.
"Rules of Life", December 11, 2025
Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.
