Category: Winzavod Center for Contemporary Art

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

On September 2, the Winzavod Center for Contemporary Art hosted an Evening of Vernissages. Eleven resident galleries presented new exhibitions, and the Winzavod Open Studios hosted a performance by Andrey Soul, the 12th season's resident.

Winzavod's Open Studios hosted a music and dance performance, "Sudden Rave," by artist Andrey Soul as part of the season's final exhibition, "This Is Not Enough, This Is Too Much, This Is Enough." At 15-minute intervals, the conventional space of the gallery's white cube transformed into a nighttime party—a platform for the artist's self-expression, where Andrey and other participants "took over" the space with sound, light, and dance.

The pop/off/art gallery presented Vasily Kononov-Gredin's exhibition "Interior Option." For the duration of the project, the gallery space became a total installation, featuring a new series of photographs, sculpture, and art objects. The space features altered objects with familiar characteristics—an exploration of subjectivity, individual experience, deep memory, and the limits of autonomy.

The exhibition will run until October 12.

XL Gallery opened Igor Samolet's solo exhibition "Choice." The project is based on the artist's reflections on the decision-making process: mundane or critical, simple or unthinkable. Exploring uncertainty as a distinct phenomenon, Samolet used his own experiences as the basis for a complex image—a kinetic "choice setting."

The exhibition will run until October 11.

Vasily Slonov's exhibition "Who Are We to Each Other?" opened at the 11.12 Gallery. This new project presents a vision of an artistic universe brought to life by the artist. Using just one element—a brick—Slonov reimagines the world in all its diversity.

The exhibition will run until October 18.

VLADEY Space opened a solo exhibition, "Funny Room," by artist Inal. In this new series, the artist revisits his own childhood experiences with reflections in the funhouse mirrors of traditional funhouses and their subsequent interpretations. In fairy tales and popular culture, characters depicted in funhouse mirrors are often considered evil—but is this really the case?

The exhibition will run until October 17.

The a-s-t-r-a Gallery presented a memorial exhibition, "The Way to Cronus," by Valentin Korzhov (1975–2022), marking the artist's 50th anniversary. Korzhov created diverse and seemingly disparate works, yet always united by a common purpose. Through them, he found and defined himself.

The exhibition will run until October 17.

PENNLAB Gallery has opened a new project, "Digital Shadows of Words," by artist Yulia Pavlova. This research explores the memory of Chechen poet Arbi Mamakayev and attempts to rethink how the ways of preserving and reproducing the past are being shaped today. The project asks what forms of memory are preserved today, as physical media lose their significance and digital media remain unstable and susceptible to manipulation.

The exhibition will run until October 15.

HSE ART Gallery, in partnership with the Gallllery platform, presented the curatorial project "Are You Ready for the Future?" by collector Pierre-Christian Brochet. The exhibition is less a display of his collection than a reflection on the institutional nature of collecting.

The exhibition will run until October 14.

FUTURO Gallery opened a duet exhibition by Daniil Antropov and Sergey Karev, "Objects of Surface, Space, and Beauty." The exhibition brings together two artists who address similar issues: what are the limits of visual art's expressive potential, and where do the boundaries between traditional artistic forms and media blur? The project's distinctiveness lies in the way both artists subvert traditional notions of artistic mediums.

The exhibition will run until October 17.

On the evening of the Vernissage, the Triangle Gallery transformed into an open studio for Chinese artist Yirui Fan, who was preparing new works for an upcoming exhibition at the gallery. In his work, Yirui Fan explores the intersection of Eastern and Western visual traditions with contemporary philosophical thought, using abstract painting as the primary vehicle for his conceptual practice.

Totibadze Gallery opened Yulia Kirakosyan's exhibition "The Story of One Summer." The artist's works are highly decorative, typically composed of multiple planes that create a mosaic of images. The gallery's new project is dedicated to Yulia Kirakosyan's summers—fresh, airy, filled with symbols and signs that evoke images and memories.

The exhibition will run until October 12.

FINEART Gallery presented Alexander Rukavishnikov's solo project "3/4 Sleeve." The artist is a sculptor and martial artist. Art occupies 3/4 of Alexander's life, and martial arts the rest. These 3/4 Sleeves can also be divided into sculpture and painting/graphics. The exhibition features works created in the spirit of Zen wisdom.

The exhibition will run until October 19.

The BIS ART gallery hosted the opening of the exhibition "Get-togethers" by artists Shishik and Ophelia t. Home is a place where walls bear witness to human authenticity. Where people take off their masks and allow themselves to be vulnerable, strange, and real. The artists' works are a conversation about how people shape their personal space, and how space shapes people.

The exhibition will run until September 16.

Admission to the galleries is free. Please check the gallery's website for opening hours. For full details and contact information, please visit the gallery's website. on the website.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

Bookcrossing library opens in Green Hangar.

Joint project of CCA Winzavod and RTVI, dedicated to the summer program Winery Leto.

The library contains books from the personal collections of RTVI journalists and presenters, as well as rare and valuable second-hand books—from fiction to books on art.

The principle of participation is simple: Read here. Share here.

Among the books available in the bookcrossing library: Vasily Chistyukhin – "No Way. How to Become a Successful Artist" (Individuum, 2025), Walter Benjamin – "Brecht" (Ad Marginem, 2025), John Berger – "The Red Curtain of Bologna" (Ad Marginem Press, 2025), Vilém Flusser – "On Photography" (Ad Marginem, 2025), Alexander Brener – "Three Melons in the Desert" (Tsiolkovsky Bookstore Publishing House, 2021) and others.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

The exhibition "Once Upon a Time: The School of Russian Fairy Tales" will hold an open day ahead of the new academic year.

Free admission: the exhibition "Once Upon a Time: The School of Russian Fairy Tales" invites you to visit before its relaunch

On August 3, children and adults will be able to visit the exhibition free of charge, participate in interactive quests, win gifts for September 1st, and try their hand at creating one of the exhibits—a large-scale coloring book based on fairy tales, which the organizers plan to integrate into the exhibition.

Exhibition Once Upon a Time: School of Russian Fairy Tales It became one of the most visited in the country and was extended twice due to popular demand. 80,000 visitors during its run, a huge amount of UGC content on social media, numerous rave reviews, and overall, a significantly increased interest in Russian folklore are the project's main results.

"We believe the success of our exhibition lies in our ability to create a platform for rethinking traditions, learning, and a unique, deeply immersive experience for all ages and audiences. And here, the school's concept played a particularly important role—presenting seemingly well-known stories, narratives, and characters in a format that offers new insights, nuances, and details, as well as the rules by which the Russian fairytale world and its characters live. This made our project unique, unlike any other fairytale-themed exhibition.

"We decided to hold an Open Day for everyone who hasn't yet had a chance to experience our magical "school," as August will be the last month the exhibition will be open with its current display. "On September 1st, when everyone goes back to school, our 'Once Upon a Time: The School of Russian Fairy Tales' will take its magical vacation for a relaunch, ready to reopen in October with a completely updated exhibition," says Ilya Dybov, the project's producer, sharing the results and news.

The new "academic" year at the School of Russian Fairy Tales promises to further surprise and delight all visitors. Maintaining the school's original concept, the project team plans to add even more interactive exhibits that have become so beloved by the audience, build new impressive magical installations, and, of course, share unique knowledge about the fairytale world that can only be gained at the "Once Upon a Time: School of Russian Fairy Tales" exhibition.

"To understand what this exhibition lacks, you had to live in it. We've lived with it for three seasons—and in October, we'll show it from a completely different perspective: in terms of presentation, material, and scope. But most importantly, we'll preserve what's so dear to us in the current exhibition. This is an exhibition with a very specific language, both visual and expositional, which we were fortunate to find. We'll preserve it," says Dmitry Khankin, founder of the Triumph Gallery.

Admission to the exhibition on the Open Day on August 3rd is by free tickets purchased at the entrance.

The exhibition "Once Upon a Time: The School of Russian Fairy Tales" runs until August 31st and will reopen in a revamped format on October 1st. Stay tuned for updates on the project's website and social media!

Tickets for russkazka.ru

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

September 6-7, CERAMANIA festival at the Winzavod Contemporary Art Center

Free admission, by rregistration.

The St. Petersburg ceramics and craft festival "Keramania" is heading to Moscow again.

For six years, Ceramania has maintained its title as the most beautiful festival in St. Petersburg: decorators, partners from the design and floral industries, creative communities, and music and gastronomic projects are involved in creating the atmosphere and mood.

The 30th Ceramania festival in Green Hangar will be the final stop in the team's series of outdoor summer events, bringing the street festival season to a close.

Each Keramania is built around a specific concept. This time, the theme was MASQUERADE—a space of transformations where the boundaries between reality and play are blurred.

The masquerade here is a ritual farewell to summer: through art and craft, festival participants and guests experience the cycles of nature and culture. The mask becomes a tool for finding an answer to the question: "Who am I without my usual roles?"

The organizers received over 350 applications from artisans and selected the most outstanding projects for participation. Guests will see booths from 150 artisans from across Russia, including many from St. Petersburg. Guests will have the opportunity to meet artists working not only with ceramics, but also with wood, glass, metal, and textiles. The market area will feature tableware, home decor, and jewelry made from porcelain and ceramics. Manufacturers of glazes and ceramic tools will also be represented.

Festival activities:

1. The free sculpting zone is Keramania's special highlight. Here, you can work with clay for free: sit at a table and sculpt as much as you like—from a miniature figurine to a large-scale composition. It's the perfect place for children and adults alike, where creativity becomes effortless and inspiring.

2. Master classes – from traditional to modern:

– painting eco-bags (shoppers)– mosaic from colored glass– stained glass in the Tiffany technique– hand-molding and painting of ceramics– sewing soft toys of fantasy creatures

The masters' specialty is that they carefully preserve ancient techniques but present them with a modern twist. These aren't just lessons, but an immersion into the culture of the craft.

Both zones—the workshop and free sculpting—will be open throughout the festival and are suitable for both adults and children.

While children are engrossed in creative activities, parents can stroll among the stands, choose ceramics or handmade jewelry, and fully immerse themselves in the masquerade atmosphere.

Keramania has prepared entertainment for the whole family:

– educational lectures from experts – beauty zone from the Samosvet brand – children's interactive show

An integral part of the festival is the food court with delicious treats: cheeses, sweets, drinks, and a cozy relaxation area.

CERAMANIA is always a great idea for a family weekend. There's plenty to do for little explorers, aesthetic enthusiasts, and connoisseurs of unique art.

September 6-7, 12:00–20:00 Moscow, Winzavod Contemporary Art Center, Green Hangar (4th Syromyatnichesky Lane, 1/8, building 6), Dog friendly

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

Yandex Museum will host its seventh annual festival about people and technology.

On September 27 and 28, Yandex Museum will host its seventh annual festival about people and technology. The program is suitable for both adults and children: lectures by engineers and artists, master classes, quests and quizzes, interactive exhibits, a rover race, video game tournaments, and a retro arcade area. The event will be held at the Winzavod Center for Contemporary Art, and admission is free.

Each location consists of three thematic blocks: retro, technological art, and Yandex. In the exhibition area, you can receive a compliment from a Smart Camera, play a game from Yandex Education, or participate in a delivery robot race. For those who prefer hands-on activities, there's a workshop run by "Repairers of the Beautiful," where you'll learn how to solder and give electronics a second life. There's also a place for nostalgia: the "Vidachestvo" project will display rare televisions and 20th-century equipment. The Polytechnic Museum will let you peer inside microchips and lamps using microscopes and even assemble an electrical circuit. Visitors can also enjoy works by the "Birch Prompt" art group and an aquarium with a robotic fish—it's almost indistinguishable from the real thing.

"The Yandex Museum Festival grew out of the 'Demodulation' event. This year, we updated the format: while the central themes previously centered on inventions of the past, the program will now focus on technologies that permeate all spheres of life. In addition to the historical exhibits, we've added a lecture series on science and art.

There will be workshops for children. For example, in the "Atelier of the Future," you can design your own outfit, and artificial intelligence will instantly transform it into a 3D model on a virtual runway. In the "Modern Lighting Technologies" class, you'll learn how to assemble circuits from light bulbs. And at the "Control a Robot!" workshop, everyone will try their hand at being a developer and complete missions with a delivery rover. Indie musicians will also perform at the event. At the festival, you'll also be able to buy Yandex merchandise and visit the stands of the project's partners: the Cryptography Museum, "Robostation," the Pinball Museum, the Telephone History Museum, leading Russian universities (ITMO and HSE), and others.

The Yandex Museum Festival will be held in Moscow at the Winzavod Contemporary Art Center: 4th Syromyatnichesky Lane, 1/8, Building 8, Entrance 14. Admission is free, but pre-registration is required. on the website.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

On October 21, the Winzavod Center for Contemporary Art hosted an Evening of Vernissages. Twelve resident galleries presented new exhibitions.

The pop/off/art gallery presented a memorial exhibition by Oleg Lang, "After Everything." The exhibition brings together works from the master's pivotal decade, the 2000s–2010s, a time when Oleg Lang articulated the fundamental principles of his artistic method, with which he delineates space and constructs architectural structures. His works juxtapose Silver Age poetry with scenes from news reports, newspapers, and classical literature. The exhibition runs until December 3.

XL Gallery opened Andrey Monastyrsky's exhibition "Dawn Under the Chintz." The project draws on the Collective Actions group's performances, which took place from 1976 to 2025. A key method of the group's work is observation through the eyes of spectators invited to the site of the performance, or "mental observation" after the fact, for which all events were meticulously documented. In "Dawn Under the Chintz," viewers are also given a choice: immerse themselves in solitary observation or pass by, refusing to give in to curiosity. The exhibition runs until November 29.

The 11.12 Gallery hosted the opening of Studio 30's "Arrividerci, Roma" exhibition, dedicated to the loss of illusions about the past. The "Eternal City" appears as a chain of concepts, fragments of unsystematic knowledge plucked from random streams of information. The artists ponder whether it is possible to abandon a Rome that exists only in the imagination, as the lyrical hero of the song of the same name does when he throws a coin into a fountain, which is promptly stolen by a local boy. The exhibition runs until November 29.

VLADEY Space opened a solo exhibition, "GARDEN-1630," by artist Kolya Sadovnik. Each sculpture is a form frozen in the moment of its initial emergence. Words from the artist's favorite poets, mantra-like phrases written in transliteration and reminiscent of archaic Latin, are carved into the surface of the works. The sculptures themselves bear inventory names as an attempt to catalog the world. The exhibition runs until November 28.

The a-s-t-r-a Gallery presented Mikhail Krunov's solo exhibition "Supracultural Absolute, or a Sensual Study of Time," where science, philosophy, and art merge into a single research method, science-art. In his works, the artist romanticizes and promotes scientific achievements that describe the universe. The exhibition runs until December 5.

PENNLAB Gallery opened a new project, "Sculptures," by Fyodor Toshchev. The exhibition presented for the first time part of a multi-year project created on the shoreline of the Rybinsk Reservoir. The artist assembled fragile structures from found fragments—bricks, stones, and branches—installing them in the water and on the shoreline. Photography serves as a mediator and witness, transforming a local gesture into a narrative of local memory. The exhibition runs until December 3.

HSE ART Gallery presented a large-scale exhibition, "DESIGN," about design in action. The exhibition features over 60 works by students and graduates of the HSE School of Design, including animated videos, video games, identities, functional design objects, environmental design projects, advertising campaigns, clothing collections, packaging, accessories, and other forms of contemporary design. The exhibition runs until December 2.

FUTURO Gallery, with the support of PiranesiLAB, opened the duet exhibition "Seven Reflections on Line," featuring graphic works and ceramic objects by Alexey Veselovsky and sound art by Ivan Shelobolin. The exhibition brings together the two artists, whose reflections touch on the primary element of both graphic and musical art—line. Line is presented here both as the foundation of graphic thinking and as a phrase in a musical dialogue. The exhibition runs until November 30.

The Totibadze Gallery opened the exhibition "Ksovilebi" featuring paintings by Georgiy and Irina Totibadze, accompanied by photographs by Alexander Smirnov. The exhibition features old and new works by the artists, as well as photographs from the family archive, telling a fascinating story of intertwined lives and events. The exhibition runs until December 2.

FINEART Gallery presented Masha Yankovskaya's solo project, "A Time to Cast Away Stones, a Time to Gather Stones." The subjects of her works live through different periods of Maria's life, openly conveying the artist's polarized states and inviting viewers to look into Yankovskaya's subjects as if into a mirror. The exhibition runs until December 4.

BIS ART Gallery hosted the opening of Anna Konopleva's solo exhibition, "The Shadow Laughs." The artist invites viewers to transcend the material and embrace a unique perspective on the world around them. Her works reflect the human mind's ability to augment reality with its own images, revealing the meaning of everyday life through fantasy and humor. The exhibition runs until November 4.

Admission to the galleries is free. Please check the gallery's website for opening hours. For full details and contact information, please visit the gallery's website. to the sitee

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.