Schedule of children's programs during the New Year holidays on December 26, 2025.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

Every day from January 4 to January 11, 2026

Quest "Stop the Painter!" (6-10 years) 1:00 PM

A villainous painter has appeared at the Winzavod Center for Contemporary Art, plotting to destroy all street art. Participants become a team of detectives: they search for clues, collect evidence, solve puzzles, and devise clever moves to confuse the attacker and save the art.Tickets

Children's mediator tours of the exhibition "It Happened to Me" at 13:00 (6-10 years) and at 16:00 (10-14 years)

Discover art treasures and become members of the secret order LOCUS SACER on a tour of the "It Happened to Me" exhibition. Participants will become archaeologists tasked with collecting all the treasures of contemporary art and keeping a veritable research journal.Tickets

Every day from January 6 to January 11, 2026

Quest "Secrets of the Art Market!" (ages 10–14) at 3:00 PM

A captivating journey into the world of contemporary art, where teenagers will become artists, gallery owners, curators, and even auction dealers.Tickets

Family days at 1:00 pm (6-10 years) and 4:00 pm (10-14 years)

A mediator's tour of Viktor Misiano's "It Happened to Me" exhibition, a self-guided tour of the exhibition, a guided tour of the Winzavod Contemporary Art Center, and a discount on any pizza for the whole family at the Tsurtsum café.Tickets

Winzavod. Holidays January 6-10

Two age groups, five days of workshops and games, in which participants will create an exhibition in a team with experienced teachers and artists, and develop a concept from the sketch to the creation of their work.

Factory of Worlds (8-10 years)

A program of master classes to develop creative thinking through drawing, collage making, storytelling, and exploring unconventional visual solutions. We'll design our own cities and characters, work with collages, prints, and quick graphics, and conclude the session with a presentation of the group exhibition and a vernissage.Tickets

Art Lab (11-14 years)

A personal talisman will help you navigate the artist's entire journey: from idea and sketch to the creation of sculptures, light projections, and art objects. We'll explore the language of contemporary art, create multi-layered images, and work with exhibition space. The finale will be a group exhibition and, of course, a vernissage.Tickets

Workshops for children on January 10 (6-14 years old)

"Contemporary Art Made Simple" at 12:00

We explore artists' works in galleries and learn to understand contemporary art. We create art objects and experiment with ideas and materials.Tickets

"Reading Architecture" at 2:00 PM

We study the visual language of the urban environment: the rhythms of windows, the graphics of facades, the textures of streets. Using stamps, stencils, and experimental printing, we create our own prints and patterns that reflect the structure and recurring motifs of the Winzavod Center for Contemporary Art's space. The goal is to discover rhythms and unexpected visual patterns in everyday forms.Tickets

Street Art Laboratory at 5:00 PM

We scan fragments of walls, posters, trash cans, and other objects on the street, and in the studio, we enhance the images with our own graffiti and drawings. The final product is a dialogue with the urban environment.Tickets

Workshops for children on January 11 (6-14 years old)

"Theater Laboratory" at 1:00 PM

We'll explore how sets and lighting work in a stage space and create our own artistic composition. We'll interact with objects, work with scale, and texture.Tickets

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

The Winzavod Center for Contemporary Art's opening hours for the New Year holidays on December 25, 2025.

Translation. Region: Russian Federation –

Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

Exhibition"It happened to me"Closed from December 29 to January 3. From January 4, the exhibition is open from 12:00 to 20:00 every day.

Winzavod.Experiment ExhibitionFeedback Form Closed from December 29 to January 3. From January 4, the exhibition is open from 12:00 to 20:00 every day except Monday.Winzavod's Open StudiosClosed from December 29 to January 3. From January 4, the exhibition is open from 12:00 to 20:00 every day except Monday.

Exhibition "Once Upon a Time: The School of Russian Fairy Tales"will be closed on December 31 and January 1. From January 2, the exhibition will be open from 12:00 to 20:00 every day.

The Winzavod Center for Contemporary Art galleries are closed.

pop/off/artfrom December 30 to January 5XL Galleryfrom December 31 to January 511.12 GALLERYfrom December 31 to January 5OWN SPACEfrom December 29 to January 4a—s—t—r—afrom December 29 to January 5PENNLAB GalleryFrom December 30th to January 5th, the gallery is open on January 6th and closed on January 7th. From January 8th, the gallery will be open as usual.HSE ART GALLERYfrom December 31 to January 5FUTUROfrom December 29 to January 5Triangle Galleryfrom December 31 to January 3Totibadze GalleryFrom December 31 to January 3. From January 4 to January 6, the gallery is open; January 7 is a day off.FINEART GALLERYClosed from December 31st to January 2nd. January 3rd and 4th are working days. January 5th is a day off. January 6th is a working day. January 7th is a day off.BIS ART Galleryfrom December 31 to January 3

School of Collectors and Experts The organization will not be open to visitors in the office from December 27, 2025 to January 11, 2026.

Museum of History, Science and Technology Closed from December 31 to January 2.

Cafes and coffee shops are NOT open

Cunning People Cafe-Bar Open until 3:00 PM on December 31st. Closed on January 1st and 2nd.Tsurtsum Cafe from December 31 to January 2Frisbee coffee Closed on January 1st and 2ndDrozdov Coffee Closed from January 1st to 3rdWine Barrel from December 31 to January 5Wine boutique UPPA from December 31 to January 11

The stores are NOT open.

Bloom from January 1 to January 3The obvious is incredible December 31 and January 1Itinerant January 1stLCLS store January 1st and 2ndStaya Dog Accessories Store Open until 4:00 PM on December 31st. Closed from January 1st to January 3rd.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Evening of Vernissages at the Winzavod Contemporary Art Center on December 9, 2025.

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

On December 9, the Winzavod Center for Contemporary Art hosted an Evening of Vernissages. Twelve resident galleries presented new exhibitions.

The pop/off/art gallery has opened the exhibition "Shadow Theory"—a new chapter in the career of artist George Cohen, formerly known as Georgy Pusenkoff. The exhibition features previously unseen works from 2019–2024, balancing non-objective and figurative imagery with interspersed text. Shadow symbolizes the presence of light, and the immaterial takes shape and becomes visible. The exhibition runs until January 23.

XL Gallery presented the exhibition "Failures" by the Blue Soup group. The works are created using digital animation. The group's works explore detached and artificial landscapes, interiors, and locations where mysterious forces operate. They resemble reality yet are not, creating an "uncanny valley" effect and placing the viewer on edge. The exhibition runs until January 16.

The 11.12 Gallery hosted the opening of Vladimir Marin's exhibition "Fermentation," dedicated to his ongoing search for new creative methods and constant relocation. This fermentation yields new works that reflect both the artist's artistic vision and the surrounding geographic and social context. The exhibition runs until January 18.

VLADEY Space opened a solo exhibition by Yegor Koshelev, "Reds and Blacks." The artist deliberately rejects a color palette in his works and explores new methods while residing in regional cities. This experiment resulted in two major projects, which have become a distinct chapter for the artist. He presents art with a new tone and explores new themes previously uncharacteristic of his work. The exhibition runs until January 18.

The a-s-t-r-a Gallery presented the project "Paradoxical Paradise" by Sergei Sonin and Elena Samorodova-Sonina. The artists work in the fictional genre of "Russian provincial orientalism," asking visitors questions such as: is it possible to build a large-scale earthly paradise, harness the power of nature, and at what cost is victory over the chthonic? The exhibition will run until January 16.

PENNLAB Gallery has opened Elena Anosova's solo exhibition, "Inside Soft Gold," the final chapter of the "Atlas of First Snow" project. The artist presents the results of a decade of research into her family history and the lives of a multi-ethnic community of hunters and fishermen in the Lower Tunguska basin. The exhibition runs until January 31.

The HSE ART Gallery presented a major exhibition, "The Great Disorder," across two venues, bringing together artists, designers, researchers, and educators reflecting on chaos as a fundamental form of existence in the world. The major exhibition is an annual format held by the HSE School of Art and Design since 2021. The exhibition runs until January 13.

FUTURO Gallery opened Nikolai Onishchenko's solo exhibition "In the Icy Ether." The exhibition includes monochrome graphic works and an audio installation. The artist conceives of the concept as a graphic representation of the mechanism of sound, which he compares to the formation of glaciers. He then created a series of graphic works depicting sharp, fragile, and nature-like objects. The exhibition runs until January 16.

The Triangle Gallery presented Andrey Efimov's solo project "Space of Variations or Shining Chaos." The artist creates his own visual image of life in all its manifestations, referencing themes of nature and the cosmos. The project seeks to convey the essence of existence without specific forms, so that viewers can formulate their own definition of life. The exhibition runs until January 16.

Totibadze Gallery opened the exhibition "Cinema/Theater of Sveta T." The exhibition features sketches for famous films and plays by fashion designer Svetlana Tegin, who works in the film and theater industries. Her works balance the boundaries of fashion and art, a distinction that is clearly expressed in her collections and creative collaborations. The exhibition runs until January 14.

FINEART Gallery presented Katya Belyaeva's solo project "Rococo Universe." The artist combines the world of 18th-century fashion with the cosmic future. These two parallel realities recreate the Rococo universe and give birth to a new neoclassical style. The exhibition runs until January 18.

BIS ART Gallery hosted the opening of Elena Kolesnikova's solo exhibition, "Who Whispers Loudly on the Sunny Path." The exhibition is structured like a map leading to new achievements and introspection, while the works point to the current era of contemporary art. The exhibition runs until December 23.

Admission to the galleries is free; please check the gallery's website for opening hours. Full details and contact information are available on the website.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

The Winzavod Center for Contemporary Art presented the exhibition project "No More Walls" on November 5, 2025.

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

As part of the XXXIII International Festival "Zodchestvo 2025," the Moscow City Architecture Committee and the Winzavod Center for Contemporary Art, with the support of the Moscow government, presented the exhibition project "No More NETWALLS." This visual exploration of Moscow street art and its transformation into a new cultural element of the metropolis was presented by Sergei Kuznetsov, Chief Architect of Moscow and First Deputy Chairman of the Committee for Architecture and Urban Development (Moskomarkhitektura), part of the Complex of Urban Development Policy and Construction of the City of Moscow.

The "No More Walls" stand invites you to see how street art is becoming part of conscious urban policy and helping us reimagine familiar routes. The project demonstrates how street art is evolving from an element of underground culture into a tool of urban planning, bringing people together, enlivening spaces, and filling the streets with creative energy.

"Street art is timeless. Its strength lies not in eternity, but in its precise timing. The city is a living organism, and its visual language should be renewed just as naturally," says project curator Sergey Kuznetsov. "Our goal is to create an ecosystem where professional artists have the opportunity to express themselves creatively in the city. Regulation here isn't censorship, but rules of the game that make the process transparent and fair. We want art to become a natural part of urban culture, so that businesses see it not as a burden, but as an investment in meaning. The constant emergence of public art in the city is a sign of a healthy artistic environment. Street art should live in the rhythm of the city: appearing, resonating, and disappearing, making room for new voices."

The exhibition stand concept was developed by the architectural firm KRNV. The exhibition showcases street art as a complex system of interactions between artist, city, business, and society, revealing its energy, which is always "on the edge": between the moment and eternity, between freedom and the system, between the personal and the collective. The exhibition includes photographs and sketches of striking projects: NETSTEN, Angel, Agatha, Hesse's mural, and others, as well as an interactive map of urban interventions.

Project curator: Chief Architect of Moscow Sergey Kuznetsov. Co-curators: Winzavod Center for Contemporary Art, Sergey Kuznetsov's press secretary Maria Ulyanova, and Irina Kuznetsova, curator of exhibition, educational, and publishing programs at the Moscow Committee for Architecture.

The first legal outdoor gallery, NETSTEN, opened in 2019 at the initiative of the Winzavod Center for Contemporary Art with the support of the Moscow Committee for Architecture. Since its inception, the gallery has hosted seven exhibitions featuring leading contemporary artists: Kirill Kto, Misha Most, Vova Nootk, Max Ima, Gosha Ykor, Zhihar, Zhenya Voynar, Andrey Aznet, Sergey Ovseykin (Zukclub), and many others.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

A new chapter of the cult project "Once Upon a Time: The Kingdom of Russian Fairy Tales" will be released on October 14, 2025.

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

On October 15, 2025, a major relaunch of the "Once Upon a Time" exhibition, which became a true cultural phenomenon last season, will open in the historic dungeons of the Winzavod Center for Contemporary Art. This is not just a refreshed exhibition, but a rebirth of its format. The first chapter of the project attracted over 80,000 visitors and became a "place of power" for families, the art community, and tourists.

Now the project's creators are presenting a sequel, "Once Upon a Time: The Kingdom of the Russian Fairytale," expanded with new spaces, stories, and characters. The project is maturing: it not only entertains but also explains the structure of a fairy tale, the archetypes and meanings behind familiar plots. The format and content have been reimagined: from the visual environment to the narrative, from the route architecture to the ideological core. After the re-exposition, the project now features new semantic and visual pairings.

"Working on the new version of the project, we explored the constant elements of the Russian fairy tale—its plot, archetypal characters, and ways of embodying magic. The exhibition shows how these constants—reflections of the collective imagination and worldview of the past—have changed over time: from folk tales to original and Soviet tales, where familiar motifs acquired new interpretations and meanings. We also delve into the mythology of our time to see which phenomena today are 'accumulated' with an aura of wonder and enter into dialogue with tradition," notes project curator Polina Kotova.

The exhibition opens with a hall where visitors are greeted by images of A.S. Pushkin, A.N. Afanasyev, V.I. Dahl, and V.Ya. Propp—collectors and researchers of the Russian fairy tale. This area sets the tone for the updated, "mature" exhibition.

Furthermore, new "wow" objects have been erected in the Winzavod Center for Contemporary Art's underground spaces: a giant bogatyr's head, a life-size Baba Yaga in the Bilibin style and her ominous hut, a winter kingdom, and a renovated "Mushroom War" featuring King Pea. There's also a stable with the Little Humpbacked Horse, a smithy with a Tula anvil, and fairytale animals. A special highlight is the expanded Hall of Soviet Fairy Tales, which recreates the atmosphere of a Soviet interior with iconic film images, artifacts, and illustrations, including, for example, the Soviet version of "The Tale of the Fisherman and the Fish" and "The Frog Princess." For fans of the "golden era" of Russian cinema and animation, this space will be a nostalgic feast.

The exhibition's immersive spaces are designed to immerse viewers in a fairytale-like experience: wandering through a dark forest, encountering wondrous creatures, and returning to a bright expanse. It's not just a spectacle, but also an experience of personal transformation. Based on viewer feedback, the project's organizers have made the exhibition more accessible, enriched with explanations and symbols, while preserving the magic of the first season.

The exhibition features works by contemporary Russian artists: Dania Pirogov, Elena Kovylina, Artur Krivoshein, Alexey Vasiliev, Alexander Vinogradov and Vladimir Dubossarsky, Alexander Krylov, and others.

"This isn't just an exhibition, but a space for meaning and dialogue between generations. Through familiar images and plots, viewers will be able to see how fairy tales were created, how their characters were conceived, and the ideas behind the stories we've known since childhood. Here, you can re-immerse yourself in a fairy tale, see its structure, and understand how true magic is born from simple images," comments project producer Ilya Dybov.

Children, adults, and even four-legged guests are welcome here – if last season the exhibition was dog-friendly, now it is also cat-friendly.

The exhibition is open until January 31, 2026.

Age limit: 6

Exhibition organizer: MTS Live

Exhibition implementation: Triumph Gallery

Curatorial team: Polina Kotova, Ivan Repkin

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

bar hub EXPO 2025 (September 15, 2025).

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

September 16-18, Moscow, Winzavod Center for Contemporary Art

This year, organizers expect over 3,500 unique guests from 200 cities across Russia and neighboring countries. More than 120 companies will present their best brands at the exhibition. This year's theme is "LATINO CARNAVAL," with the primary goal of creating an unforgettable event for attendees and deepening their understanding of bar culture.

As for the educational program, the event will feature four lectures, where experts from around the world will share their experiences on professional bartender growth, bar ecosystem management, business, and the art of mixology.

In addition, during the exhibition, more than 30 Moscow bars will offer guests unique guest bartending sessions, where they can enjoy cocktails prepared by the country's best bartenders.

Don't miss your chance to be part of this outstanding event in the bar industry! We look forward to seeing you at bar hub EXPO 2025—a true celebration of taste and knowledge!

http://barkhov.ru

http://t.te/bar_nub

September 16-18, 2025, Moscow bar hub EXPO 2025 I LATINO CARNAVAL

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

The Ministry of Economic Development met with representatives of the art industry on December 12.

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

Ministry of Economic Development:

Since 2021, the growth of gross added value of art industries in the creative economy has amounted to 11%.

One of the national goals is to increase the share of creative industries in the country's economy to 6% of GDP by 2030. In 2024, the art industry was designated as a separate sector within the Unified Plan for Achieving National Development Goals in Russia through 2030. Although the art industry's share of gross value added (GVA) in the overall GVA of the creative economy is relatively small (approximately 2%), the sector has high growth potential. This was stated by Russian Minister of Economic Development Maxim Reshetnikov during a meeting with representatives of the art industries. Participants discussed key areas for the development of the art industry as an independent and promising sector of the creative economy.

According to the minister, Russia has accumulated unique cultural assets whose value will be preserved in the long term. The state's task is to create the conditions for unlocking this potential.

"Since 2021, the art industries' GVA has grown by approximately 11%. Their contribution to the overall creative economy is approximately 2%. The goal by 2030 is to maintain this figure at 2.3%," emphasized Maxim Reshetnikov.

The discussion focused on three main areas of focus for expert discussion. The first focused on establishing clear "rules of the game" for interaction between the art industry and the economy as a whole, including defining the industry's boundaries and assessing the performance of all its participants. The second focused on assessing the current state and identifying growth opportunities, where engaging both the professional collector community and a new mass audience plays a key role. The third area of focus focused on identifying barriers and accelerating development factors, such as the creation of creative clusters, the implementation of interdisciplinary projects with museums and the digital sector, and the replication of successful regional practices that promote territorial branding.

"We need to work with experts to define the sector's boundaries and develop practical objectives. These include identifying the sector's key features, ways to generate high added value, and potential opportunities for attracting investment in contemporary art," emphasized Maxim Reshetnikov.

The minister proposed focusing on the most substantive discussion possible, drawing on the practical experience of market participants. Case studies and expert understanding of industry development patterns are critical for developing an effective and efficient system of government support, he added.

"This is the first approach to 'digitizing' the art industries as part of the creative economy. Such industry meetings with representatives have already become traditional and help identify development focal points and fine-tune sector regulations. The results of these discussions will form the basis for practical actions and will be reflected in the Strategy for the Development of the Creative Economy through 2036," noted Tatyana Ilyushnikova, Deputy Minister of Economic Development of Russia.

During the meeting Association of Galleries presented the results of an art industry study conducted jointly with Pacioli Consulting in 2024-2025. The experts, among other things, defined the art industry and the art market, described the constituent entities, and identified key components that support the industry's functioning and development. According to their data, the industry employs approximately 113,000 people.

"This is an important, systematic meeting with those representing the professional cultural community to discuss the art industry not only from a cultural perspective, but also from an economic one. We outlined a number of barriers and growth opportunities for the art industry, based on research data and a realistic assessment of the industry's situation," commented Sofya Trotsenko, founder of the Winzavod Center for Contemporary Art and member of the Board of the Galleries Association.

Participants also discussed key issues in the development of the art industry: the need for a comprehensive approach to industry policy, the use of the creative potential of art in national and regional development, the expansion of museum collections with contemporary art, legal aspects of intellectual property and the status of contemporary artists, the conditions for the production and exhibition of works, as well as the international promotion and export of Russian artists.

The meeting was also attended by Irina Sedykh, Chair of the Board of Trustees of the OMK-Uchastie Charitable Foundation, founder of the Vyksa Festival, and philanthropist; Vasily Tsereteli, Academician, President of the Russian Academy of Arts, Director of the Moscow Museum of Modern Art, and Honored Artist of the Russian Federation; Alisa Prudnikova, Program Director of the GES-2 Community Center and the V-A-C Foundation; and others.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Performance "Poetic Coworking at the Black Rock" as part of the exhibition "It Happened to Me" on December 9, 2025.

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

On December 9 at 7:00 PM, a performance entitled "Poetic Coworking at the Black Rock" will be held for exhibition visitors. "It happened to me"Login by ticketsto the exhibition.

Young Moscow poets and artists are staging a performance for visitors to the Winzavod Center for Contemporary Art. "It Happened to Me" is the title of an exhibition curated by Viktor Miziano, which offers an artistic interpretation of the Winzavod Center for Contemporary Art's archive.

"We decided to approach this from a different perspective: to collectively experience something that could later be turned into an exhibition. The evening will feature spontaneous readings by very young poets from the Voznesensky Center studio and performances by artists from the Rodchenko School. These artists are brought together by the course instructors: poet Andrei Rodionov, artist Irina Korina, and playwright Ekaterina Troepolskaya."

"Irina Korina's installation space invites viewers to collaborate, and you too will be able to say something similar: 'This happened to me.'"

"Overall, it promises an evening of spontaneous joy and light-hearted thoughtfulness in the midst of the traditional December chaos."

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

WORKING HOURS OF THE CENTRAL CONSTRUCTION RESEARCH CENTER WINZAVOD DURING THE HOLIDAYS OF NOVEMBER 2-4 (November 1, 2025).

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

Exhibition"It happened to me"Open daily except Monday. Visitors to the exhibition can plan their own route using the exhibition map located at the entrance or purchase a ticket. mediation tourTours run daily, 4 times a day, during exhibition opening hours.

Galleries of the Winzavod Center for Contemporary Art

HL Closed on November 2 and 3.BIS ARTClosed on November 3rd and 4th.TotibadzeClosed on November 5th, open on other days from 12:00 to 19:00.VLADEYOpen on November 1st and 2nd from 11:00 a.m. to 8:00 p.m., and on November 3rd and 4th from 12:00 p.m. to 7:00 p.m.

Galleries pop/off/art,FUTURO,11.12,PENNLAB,a—s—t—r—a,FINEART,HSE ART GALLERY,Triangle Gallery, Generative Gallery, and alsoMuseum of History, Science and Technologyoperate as usual.

Cafes are operating as usual.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Results of the XI WIN-WIN contemporary art market, October 13, 2025.

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Source: Winzavod Center for Contemporary Art – An important disclaimer is at the bottom of this article.

On October 11 and 12, the Winzavod Center for Contemporary Art hosted 11th Win-Win Contemporary Art Market, where more than 100 participants presented their works of art in all media – from painting and ceramics to photography and sculpture.

The market was visited by Irena Ponaroshku, Vika Chuma, Anastasia Postrigai, Polina Bondareva, Victoria Gumerova, Gosha Rushev, Dania Furs, Anna Ekomasova, Alexandra Zhilenko, Anastasia Karpova, Petr Ivanov, Ekaterina Dementyeva and more than 4,000 other people.

"The market has grown again, both in quality and quantity of works sold. We'll summarize the financial results a bit later; many participants sold more than half of their submitted works. This time, the market space in the White Workshop was organized with plenty of space, allowing visitors to freely browse the art and interact with the artists," said Ekaterina Savina, curator of the WIN-WIN market.

The WIN-WIN autumn market was supported by an independent educational organization program for contemporary artists "Basics".

The SHROOM SHROOM functional beverage laboratory set up a coffee station and developed two specialty drinks for market guests: one, a LOVE CACAO cocktail with non-alcoholic rum and Amaretto liqueur. The second, a creative take on the White Russian cocktail, features coffee liqueur, cream, and BRAIN CACAO.

The lounge area and library were organized by the market's partner, School Masters. Water was provided by Shambala — Mountain Water of Altai.

During the market, a shop was opened in the Red Workshop. Winery.Store, where one could purchase rare books, exhibition catalogues and Winzavod Centre for Contemporary Art merchandise.

In parallel with the 11th WIN-WIN, the Winzavod.Children program for children aged 6 to 14 was held. On the first day of the market, October 11, young visitors had the opportunity to create their own exhibition, explore the visual language of the urban environment, design a collective architectural model of the Winzavod Center for Contemporary Art using scrap materials, and explore street art in the Street Art Lab.

On Sunday, October 12, a "Theater Laboratory" workshop and a master class on creating a tabletop theater took place. In the Children's Space in the Fermentation Workshop, guests could participate in a free Game Library hosted by Prosveshchenie-Soyuz Publishing House.

Over the course of the WIN-WIN market's history, more than 1,000 artists have been selected to participate, selling over 6,000 works for a total of over 55.5 million rubles (according to a survey of over 80% of participants). The market was held as part of the Winzavod Center for Contemporary Art's strategic direction, "Art Market," and was held for the eleventh time.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.