Category: Moscow Government

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For the convenience of Moscow residents, the EMIAS.INFO mobile app has added a new feature. Starting in December 2025, patients can use the service to download an official extract of their compulsory medical insurance (CMI) policy, complete with a barcode. This document can be useful for employment, in-person registration at a clinic, or for verifying information when applying to various agencies for services.

"The EMIAS.INFO app has become another channel for patients to quickly obtain their compulsory medical insurance policy statements. Today, most city residents use the app to schedule doctor appointments and view information from their electronic medical records, including doctor's examination reports and test results. Now, Muscovites can download their compulsory medical insurance policy statement. It contains all the necessary information: the policy number, the owner's last name, first name, and patronymic, the name of the insurance company, the region of insurance, and a barcode that can be quickly provided for scanning if needed," she noted.

Elena Shinkaruk, Chairman of the Committee for State Services of the City of Moscow.

To view the barcode of a compulsory medical insurance policy, users must open the EMIAS.INFO app and click the barcode icon located at the top of the main page. The system will instantly display up-to-date policy information, including the barcode itself. To download a statement of the compulsory medical insurance policy, click the download icon—the document will be in PDF format ready for sending or printing if needed. It is also always available online. A similar algorithm applies to the portal. emias.info.

The new feature will improve accessibility of the digital policy: all the necessary information for health care is available in the EMIAS.INFO app and on the portal of the same name. Information about the compulsory medical insurance policy, including for minor children whose relationship is confirmed in the profile, can also be viewed and downloaded in the personal account on the government services portal.

A document created electronically does not require additional signatures or seals and is fully suitable for presentation when resolving various issues, such as when seeking medical assistance at a federal or regional clinic.

Digitalization of healthcare

Since December 2022, the compulsory medical insurance policy has been fully digitalized. The current document is the number in the compulsory medical insurance fund system, replacing paper and plastic cards. If a patient needs information about their policy, they can find the number in their personal account on mos.ru, in the section Personal Documents, in the "Compulsory Medical Insurance Policy" section, as well as in the "My ID" app and on the government services portal. You can also view your policy statement on the government services portals and emias.info, in the EMIAS.INFO app, or by contacting your insurance company. All previously issued old-style policies will remain valid.

The capital has been digitalizing its healthcare system for over 10 years. The foundation of this process was the creation of a unified digital platform, which is being jointly developed by the Moscow Social Development Complex, the Moscow City Council, and the Moscow Regional Government. State Services Committee, Moscow Department of Healthcare and urban Department of Information TechnologyIt allows for personalized care of each patient at every stage—from diagnosis and treatment to follow-up.

The creation, development and operation of e-government infrastructure, including the provision of mass socially significant services, as well as other services in electronic form, are consistent with the objectives of the national project "Data Economy and Digital Transformation of the State" and the Moscow regional project "Digital Public Administration." More information about Russia's national projects and the capital's contribution can be found atspecial page.

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At weekend markets in Moscow, farmers brought dill, parsley, cilantro, green onions, and early radishes—products that traditionally mark the start of the fresh vegetable season.

Farmers grow the first bunches of greens in greenhouses until mid-spring: protected soil allows the season to begin earlier, while the weather outside is still cool.

For example, on Marshal Zhukov Avenue, they sell herbs from the Lipetsk region. Oksana Kukushkina from Lebedyan is already bringing in dill, parsley, and cilantro. The first sowings are done in greenhouses at the end of winter, and with the arrival of warmer weather, they begin planting in the open ground.

"In the greenhouse, greens grow quickly: you sow them, and in about three weeks you can harvest them. Then we sow again, and in three to four weeks a new harvest appears. We start around the end of February. And when it gets warmer, we plant them outdoors—usually in late April or May, depending on the weather," said a fair participant.

At the end of March, one of the earliest vegetables—radishes—appears on store shelves. They are brought in from the southern regions and Central Russia. For example, at the Moscow fair on Natasha Kovshova Street, you can find a vegetable grown in the Pervomaysky District of the Tambov Region, at Galina Perepechina's farm.

"Radish grows quickly. We first pick it small and sell it in bunches, then after a week or two it becomes larger. At this point, it needs to be thinned out to allow the remaining roots to grow," Galina explained.

With the arrival of warmer weather, the selection at weekend markets will gradually expand. The first berries, followed by vegetables and fruits, will join the greens and radishes. According to farmers, lettuce will appear on shelves in the coming weeks, and strawberries will be ripe by the end of spring.

Products for the fairs are brought in from more than 40 regions of Russia. Each supplier guarantees the quality and freshness of their products, and specialists State Veterinary Service of the City of Moscow check the products before sending them to the shelves.

Fair participants are provided with free space. The pavilions are located near metro stations and other busy locations and are equipped with heating, ventilation, air conditioning, and video surveillance systems, as well as commercial and refrigeration equipment, making them comfortable to visit year-round.

More information about the activities of the capital Department of Trade and Services— in the department's official messenger channel MAX.

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Over the course of four days, a large-scale forum of Moscow colleges, held at Gostiny Dvor, attracted more than 80,000 visitors. For the first time, it brought together nearly 70 secondary vocational education institutions on a single platform. This was reported by the press service of the Moscow college. Department of Education and Science.

"For the first time, 55 Moscow and 12 federal and private colleges presented their programs in a single venue. Schoolchildren and their parents learned about the most in-demand specialties in 10 sectors of the Moscow economy—from manufacturing and transportation to creative industries. The forum's key feature was its practical focus. Over 90 interactive master classes were organized for the students, allowing everyone to try their hand at practical applications. Prospective students had a unique opportunity to learn about modern Moscow colleges, leading employers, and students, explore their professional interests and gain practical experience, see what opportunities the capital offers today for mastering a sought-after profession, and choose the right college for them," the department's press service noted.

The students explored the mechanics of an electric car, learned to pilot drones, donned firefighter gear, and mastered the art of making popular drinks. Furthermore, using modern technology—VR headsets, 3D printers, and simulators—they built and tested robots, designed miniature succulent gardens, explored elevator mechanisms, and tried their hand at forensics.

In the admissions area, applicants and their parents received consultations on admissions matters and learned about in-demand majors and professions offered by specific colleges. Anyone interested could take a career guidance test to better understand their aptitude for a particular industry or professional field.

Guests were introduced to the "Made by Moscow Colleges" brand, which involves students from Moscow's colleges producing products and providing services to the city. This approach will allow young professionals to hone their professional skills and directly contribute to the capital's development. At the eponymous corner, visitors could browse and purchase student-made products: tote bags, T-shirts, notebooks, sticker packs, embroidered textiles, shaped candles, soap, and handmade sweets such as chocolate, nougat, and marshmallows.

A special highlight was the student restaurant "Friends' Meeting," which was attended by over seven thousand people. Guests were offered sandwiches, croissants, and éclairs. Drinks included coffee, fruit drinks, and signature fruit and berry teas. Service was provided by students from Moscow's hospitality colleges.

In addition, as part of the business program, a ceremony was held to award the winners of the "Master of the Year – 2026" professional skills competition. As Sergei Sobyanin reported, absolute winner Anastasia Maksimova from the Moscow Pedagogical College became the winner.

Anastasia Rakova previously reported that demand for college admission after ninth grade has increased in the capital. The number of students seeking to master in-demand professions has approached 45,000, leading to the creation of an additional 10,000 state-funded places at Moscow colleges.

Detailed information about in-demand professions and specialties taught at Moscow colleges can be found on the website Moscow Colleges, in the same names Telegram channel Andcommunity on the social network VKontakte.

More about Moscow education – on the official channel inMAX messenger.

Conducting career guidance events for Moscow students contributes to the development of children's talents and the formation of skills that will be useful to them in their future profession, and is in line with the objectives of the "Professionalism" project of the national project Youth and ChildrenMore information about Russia's national projects and the capital's contribution can be found atspecial page.

Get the latest news quickly on official Moscow messaging channels. MAX AndTelegram.

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On the Day of the Cultural Worker, employees of museums under the jurisdiction To the Moscow Department of Culture, shared stories about how and why they chose their profession, what they see as the purpose of their work, and what they consider most important.

Be useful and share knowledge

Oleg Krzhizhanovsky, head of the exhibition department State Museum of the Defense of MoscowA candidate of pedagogical sciences, he has been involved in exhibition work for over 15 years. His extensive experience formed the basis of his dissertation.

"I firmly believe that a museum should educate. And this must be done skillfully, avoiding moralizing or a didactic tone. A museum has many tools, and we strive to structure our exhibitions so that they convey the necessary narratives. Many of our visitors are school-age children, and if we, museum workers, manage to convey the right messages to them, then our work is beneficial. This is how I see the purpose of my work—everyone should be in their place," says Oleg Krzhizhanovsky.

Administrator Moscow State Museum of S.A. Yesenin Sofia Lapidus has been working here for over seven years. Before that, her professional interests were also linked to poetry: Sofia led a literary workshop at the Moscow Longevity, traveled with poets to St. Petersburg, read poetry on the Gulf of Finland—and was the only one who performed not her own compositions, but works by authors of the Silver Age, including Sergei Yesenin.

"Working at a literary museum has opened up more opportunities to do what I love—sharing knowledge about literature, reading Sergei Yesenin's poems, and discussing his life and work. Being the link between the poet and museum guests is a great responsibility, but also a valuable experience. I've noticed, for example, that the poem 'The Golden Grove Has Dissuaded' often moves visitors to tears—it touches something deep within each person. The Silver Age of Russian poetry, the time of decadence, as it was then called, has always intrigued me, and I dreamed of telling people about it. Now, seven years later at the Sergei Yesenin Museum, I can confidently say that this is a dream come true. Working here is a true joy!" says Sofia Lapidus.

Be open to dialogue and new ideas

For Ivan Nazarov, Deputy Director Mikhail Bulgakov MuseumFor Ivan Nazarov, a candidate of philological sciences, this year is special: he's preparing to celebrate his "museum coming of age" and begin 18 years of service within the walls of a "bad apartment." Ivan Nazarov joined the museum in the fall of 2008 as a junior research fellow.

"We're talking to an audience of millions and must always be prepared for a variety of twists and turns. We might be approached by a seasoned Bulgakov scholar or a schoolchild, fresh from a field trip, who's just discovered the author of 'The Master and Margarita' for the first time. It could be a director working on a new film adaptation of the novel, or a student intern dreaming of creating a computer game based on Bulgakov's stories. We strive to find common ground with everyone and are always open to this dialogue," says Ivan Nazarov.

Curator and Head of the Russian Art Sector Moscow Museum of Modern Art Vladimir Prokhorov has worked at the Moscow Museum of Modern Art (MMOMA) since its founding (25 years now), joining the museum immediately after graduating. Vladimir Prokhorov has witnessed the museum's growth and development, from its first exhibition, assembled with the support of regional museums, to major projects and tours across the country.

"In 1999, I couldn't have imagined how my future and career would unfold. But then a golden opportunity presented itself. Our department at the institute announced that the newly opened Tsereteli Museum—as the Moscow Museum of Modern Art was then known—was recruiting young specialists. I joined the team, along with a small group of my classmates. Soon, in 2000, I was hired permanently at the museum. It was a truly exciting experience. The first exhibition featured masterpieces from regional museums—works by Kazimir Malevich, Wassily Kandinsky, and Aristarkh Lentulov," the curator recalls.

Vladimir Prokhorov also began working on exhibitions. Initially, this was an unfamiliar but very dynamic job—he had to learn contemporary art literally on the fly.

"New horizons in our work opened up around 2014–2015. That's when the museum began actively organizing regional exhibitions. We traveled to other cities with our projects, and in return, we hosted exhibitions from other regions. This turned out to be a completely different experience: we worked in different venues, took local specifics into account, and interacted with colleagues. This exchange provided additional incentive, broadened our professional and creative horizons, and overall made the work more vibrant and interesting. New things always inspire and motivate. We continue to move on this wave," shares Vladimir Prokhorov.

Bringing art closer and bringing joy to children

Elena Golovina, a research fellow at the MMOMA Art Popularization Department, began her creative career as a tour guide.

"In 2016, I almost by chance found myself working as a mediator on a project at a Russian museum. It was one of those times when 'just trying it out' suddenly turns into a twist of fate. The project turned out to be a true immersion into contemporary art, into audio and visual experiments, into conversations that continue within you even after the shift ends. I enrolled in the Russian State University for the Humanities, majoring in art history, because it became clear that this wasn't a passing interest; it was already a part of me. I've been at MMOMA for eight years. I started as a guide—with excitement, searching for my own voice, trying to hold the group's attention and remember what I wanted to say. And today I'm a research fellow in the art popularization department. My colleagues and I design tours for children and adults, give lectures, and seek ways to talk about art in a way that brings it closer to people," notes Elena Golovina.

Museum curator Tamara Rodicheva serves inK.G. Paustovsky Museum For over 40 years. Her museum career began in 1986, when the K.G. Paustovsky People's Museum moved into a building on Kuzminskaya Street. She became an assistant to the first director, Ilya Komarov, and later became the museum accountant. Today, Tamara Vasilyevna is an indispensable employee, not just a caretaker, but a true custodian of the K.G. Paustovsky Museum's fine traditions.

Anastasia Stalnaya, head of the Children's Tsaritsyno sector inTsaritsyno Museum-Reserve, had been volunteering since her first year at university. She enjoyed organizing various events, participating in mediations, and other volunteer activities.

"I currently work with children at the museum. This is probably no coincidence, as I myself participated in the museum's school club as a child and loved telling interesting stories about the objects housed there. In the children's section, I develop programs for children and parents, primarily related to our architectural heritage, our collection, and also music. I enjoy combining various teaching methods from the worlds of music, folk culture, museum education, and art education in creative encounters. Such a diversity of themes and exhibitions allows me to invent and learn as many interesting things as possible. When you see the response from children and parents who return year after year, you realize you're on the right track. The recognition, trust, and joy of visitors, young and old, inspire me and encourage me to continue creating," says Anastasia Stalnaya.

The decree establishing Cultural Workers' Day was signed in 2007. The holiday brings together representatives of creative professions, artists, and custodians and promoters of cultural heritage.

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The Ministry of Defense's air defense shot down a drone flying toward Moscow. This was reported on its channel in MAX messenger Sergei Sobyanin reported.

"Emergency services are working at the site of the fallen debris," the Moscow Mayor noted.

Source: Sergei Sobyanin's channel inMAX messenger

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The Et Cetera Theatre continues its series of themed tours. This time, the program will focus on the era of space exploration and the atmosphere of Moscow in the 1960s.

Guests will be able to take a behind-the-scenes look, hear Alexander Blinov's stories "As a Child, I Wanted to Be Anything" and "The Young Cosmonaut Squad" performed by actor Evgeny Tokarev, and be transported to Moscow in the 1960s. It's easy to imagine a city where every boy dreams of becoming an astronaut, where the sky is no longer the limit, and Yuri Gagarin is a hero of the entire planet.

The author of the project is Olga Matveeva.

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The Theatre on Malaya Ordynka invites you to the play "Stolypin and Enemies".

Pyotr Stolypin—who was he? A wise reformer or a cruel satrap? Why was he killed before the eyes of the emperor? Who were his enemies? Why is the president quoting him today? He was exceptionally handsome. A man of honor. A duelist and a monogamist. At 22, he married the fiancée of his brother, who was killed in a duel. And he lived with her for the rest of his short life, which he dedicated to Russia.

Pyotr Stolypin was an extraordinary man, a great reformer, and a sacred victim of the Russian Revolution. He was shot at the Kiev Opera House during an intermission during a performance of "The Tale of Tsar Saltan." Emperor Nicholas II was present. Stolypin's last words were: "I am glad to die for the Tsar…"

The play's literary basis—a book and play by renowned historian Svyatoslav Rybas—contains absolutely reliable facts and verified information. However, the play "Stolypin" is not a piece of journalism, but a vibrant artistic statement, in which elegant set design and historical costumes play a crucial role. Documentary footage and photographs allow one to experience the atmosphere of the Art Nouveau era and the emotional state of the characters. The title role is played by theater and film actor Eduard Flerov, who long before participating in the production became interested in Stolypin and researched his biography.

Stolypin coined the phrase, "We need a great Russia!" These words ring true today.

The production designer is Konstantin Rozanov. The cast includes Eduard Flerov, Alexandra Barysheva, Nadezhda Lutskaya, Kirill Zaitsev, Tatyana Shalkovskaya, Anna Bolshova, Mikhail Polosukhin, Maria Vasilyeva, Dmitry Novitsky, Grigory Arkhipov, Vladimir Tyagichev, Mikhail Klyushkin, Nikolai Simbirtsev, Dmitry Dyachenko, and Danila Kornev.

Duration: one hour 15 minutes without intermission.

Photo: Theater on Malaya Ordynka

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The Moscow Pushkin Drama Theatre will present the play "Protagonist," based on the novel of the same name by Asya Volodina.

The Academy is the most prestigious educational institution in the country. Thousands of young men and women dream of entering, but even the best require luck. Nikita was lucky. So when he fails his exam, everyone is surprised: after all, it's easier to get kicked out of the Academy than to get in. Nikita's choice makes his loved ones wonder: how well do they know him—and themselves?

Directed by Denis Paramonov. Starring Nikita Pirozhkov, Anastasia Panina, Elizaveta Kononova, Anna Karmakova, Lyalya Anpilogova, Tatyana Romanova, and Artem Lyashenko.

Photo: Pushkin Theatre

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The Theatre on Malaya Ordynka invites you to the play "The Tsar's Way".

Is an ideal family possible, where mutual love, respect, and a sense of duty become the foundation for true heroism? The answer is yes. Such was the Romanov family.

"The Tsar's Path" is a unique performance in which, alongside the actors, the priest Father Artemy takes part.

The story of a Russian family unfolds against a backdrop and multimedia stylized to resemble the early 20th century. Beautiful young girls, a loving but very strict mother, an attentive and understanding father… there's just one nuance: this is no ordinary family, but a royal one. And that means they are subject to serious taboos. The famous aphorism about what Jupiter can do but not the bull requires rethinking: what the bull can do is NOT allowed to Jupiter. The princess cannot reciprocate the young officer's feelings: her status does not give her the right to love. But she doesn't rebel; she accepts her fate. Because in this family, duty is understood.

Grand Duchess Elizabeth Feodorovna, the Empress's sister and wife of Grand Duke Sergei Alexandrovich, was another member of the Romanov family whose heroism and service became the embodiment of true mercy. The Martha and Mary Convent she founded, decorated with frescoes by Mikhail Nesterov, is within walking distance of the theater on Malaya Ordynka. Elizabeth Feodorovna's path of sacrifice was also a royal path, culminating in her canonization.

Father Artemy integrates into the play's plot and communicates directly with the audience, effectively breaking the fourth wall between the audience and the actors. He is a bridge between the past and the present. He draws parallels between history and modernity. And he answers the question that concerns everyone: is the ideal family possible today?

Directed by Valentin Klementyev. Starring Valentin Klementyev, Tatyana Shalkovskaya, Nikita Kashevarov, Klim Krivonosenko, Nikita Strugachev, Grigory Kolchak, Egor Kosik, Nikita Goncharov, Artemy Pilstrov, Margarita Lutskaya, Elizaveta Lyamtseva, Sofia Mishukova, Sofia Pchelintseva, Sofia Duganova, and Eva Babicheva.

Duration: one hour 20 minutes without intermission.

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In the lead-up to Cosmonautics Day, Library No. 248 will host the "Space Ark" program. Through the online presentation "Star Dock," guests will learn about the features of space stations and the history of their development.

The event will discuss the challenging living conditions of humans on a space station, the concept of weightlessness and ionizing radiation, how many space stations are currently in orbit, and which ones are planned for launch in the coming years.

In addition, the library will host a book and illustration exhibition entitled “Mysterious Space.”

The first people to seriously consider space stations were Konstantin Tsiolkovsky and Hermann Oberth at the beginning of the 20th century, and the world's first orbital space station, Salyut 1, was launched by the USSR 55 years ago.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.