25.12.2025 The music for the new ballet "Russian Gambit" was recorded at the Mosfilm Sound Studio. The symphonic score for the new ballet "Russian Gambit" was recorded at the 1st Music Studio of Mosfilm.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 25, 2025

News editorial office

The symphonic score for the new ballet "Russian Gambit"—a choreographic drama about the price of victory—was recorded at Mosfilm's First Music Studio. The music, created by composer Oleg Gubanov based on themes by Pyotr Tchaikovsky, was performed during a single intensive studio session by the Globalis Symphony Orchestra under the baton of maestro Leonid Butinsky. The author of the concept, libretto, and choreographer was former Bolshoi Ballet dancer Tatyana Osipova (pictured).

IDEAL CONDITIONS FOR A SOUND PREMIERE.

Around 60 musicians participated in the large-scale recording (sound engineer Andrey Levin). The resulting soundtrack will serve as the basis for both the future stage production and promotional materials. Both the choreographer and conductor praised the studio's unique creative atmosphere and impeccable technical standards.

"This is essentially my sound premiere at Mosfilm, and it went perfectly. The atmosphere is inspiring, everyone is in the mood for creativity—there's everything here so nothing distracts from the main focus," shared Tatyana Osipova.

"For me, Mosfilm Studio One is a professional benchmark. Since my first recording session there in 1998, I've never known a better place to work," added Leonid Butinsky.

PLOT: THE ULTIMATE SACRIFICE ON THE CHESSBOARD

"The Russian Gambit" is a metaphorical ballet. Its plot, based on a chess game, tells of a strategic sacrifice for a higher purpose: the King is forced to sacrifice the Queen to ensure victory. This personal drama, filled with pain and a sense of duty, forms the emotional core of the performance.

"This is a story about Victory, the path to which lies through sacrifice. The audience will feel both triumph and the realization of the price paid for it," explains Tatyana Osipova, explaining the essence of the production.

FROM CONCEPT TO THE BIG STAGE.

The idea to combine the intellect of chess and the poetry of ballet came to Tatyana Osipova this fall. To bring it to fruition, a libretto was created, rehearsals with the dancers were held, and composer Oleg Gubanov wrote a comprehensive symphonic fantasy based on themes by Tchaikovsky.

"The result is not just background music, but an independent and powerful symphonic statement," Leonid Butinsky assessed the work.

The next steps are mixing the recording and editing a promotional video. The production has been created in two theatrical versions: a chamber version (for 16 actors) and a larger version for large theater venues (for 32 actors). The project will be offered to leading theater venues. The 20-minute chamber version could also become a highlight at major cultural and chess forums. The recording at Mosfilm was a key step, bringing this ambitious project to the finish line for the big premiere.

For questions on renting music studios, re-recording studios, speech and sound studios: Tatyana Yuryevna Balter – Director of the Tonstudio PC.

Tel.: 7 (499) 143-9803 E-mail: tonstudio@mosfilm.ru Tonstudio, Mosfilmovskaya St. 1, building 27

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

On December 25, 2025, Mosfilm's "KinoYolka" once again topped the Moscow New Year's show rankings! Rossiya Segodnya (RIA Novosti, Social Navigator project) has named the project the absolute leader in the Moscow children's New Year's show rankings for 2025/2026 for the tenth time. Mosfilm's "KinoYolka" mission is to promote Russian cinema among children and young people.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 25, 2025

News editorial office

For the tenth time, the Rossiya Segodnya International News Agency (RIA Novosti, Social Navigator project) has awarded the project the status of the absolute leader in the rating of children's New Year's performances in Moscow for 2025/2026. The mission of KinoYolka at Mosfilm is to popularize Russian cinema among children and young people.

On December 20, Mosfilm began showing its traditional New Year's show, which this holiday season is called "To the Stars! Mission: Snowmen in Space." Aimed at family audiences, the project commemorates two events: the 130th anniversary of the first film screening in Russia and the 65th anniversary of the first human spaceflight.

In the 2025-2026 season, the New Year's show, following a well-deserved tradition, will occupy two film studios. The historic Pavilion 1, where "Spring," "War and Peace," and the television show "Blue Light" were filmed, and where the annual Golden Eagle National Film Awards ceremony is held, features a stage with the show's sets and a comfortable auditorium. The adjacent pavilion houses a cozy Christmas film village, offering a variety of workshops for children and adults, a rich animation program, and décor made from 200,000 LEDs.

Renowned costume designer Natalia Moneva designed and sewed sumptuous costumes especially for the show, recorded orchestral music, and Mosfilm-Decorstroy specialists created extensive sets—including a real rocket for the Snowmen's flight into space, so essential to fulfilling all children's dreams. The project has already run for 12 seasons, during which the show's organizers have managed to create an original Russian product. And this time, they managed to avoid borrowing any foreign franchises or characters!

The project's creators are particularly proud of its strong cast. When selecting actors for the current season, they reviewed over 2,000 acting resumes, selecting 30 professional performers. Honored Artist of Russia Stanislav Duzhnikov and Dmitry Khrustalev will join the stellar cast of young talents. The renowned actors will take part in video episodes of the play, integrated into the interactive scenes. Most importantly, both actors oversee the project's important charitable component. Dmitry invites the Yulia Peresild Foundation's wards, "Galchonok," to the Mosfilm show. Stanislav invites children whose parents are fighting in the North Military District.

"This year, Stanislav Duzhnikov is organizing a visit for a large group of children from Saransk. Together with the Mordovian government, the children are provided with transportation to Moscow, and we invite them to the performance. The group of 100 will include children of SVO participants. Overall, thousands of children and their parents attend our performance every year on a pro bono basis," Tatyana Gavrilova, the show's producer and director, told Mosfilm.ru.

The creators of this captivating interactive multimedia musical center on Father Frost's helpers, who are about to embark on a journey into space in search of a magical star that grants wishes for everyone in the world. And, as only true fairy tales do, at the crucial moment, something completely unpredictable happens…

The show is brimming with special effects—laser graphics, smoke, confetti, an electronic background control system, and large-scale LED screens, as well as Russia's only system for individual sound positioning in the auditorium! Konstantin Pavlyuchenko, the project's technical producer since its inception, has 20 years of experience working on large-scale national and international events. Tatyana Gavrilova, the show's producer and director, has created and curated projects in Russia and abroad (including the Opening Ceremony of the World Athletics Championships, the "Orthodox Rus'" Exhibition and Forum, the Expo in Lisbon, the New Year's Tree at the Olympic Sports Complex, and the Olympic Flame Reception in Moscow, among others).

"This is our most high-tech production in years! In terms of the scale of the special effects and equipment used, we're approaching the level of a major rock concert—and any rock star would probably envy such technical equipment! The laser show, flying characters, and objects "hovering" on stage—all of this creates a captivating experience! We have a large number of guests, including celebrities. It's gratifying that so many famous audience members buy tickets, trusting our New Year's brand. We are incredibly proud of our troupe. As children say: our Father Frost is the real deal! This is probably the secret to those happy, shining eyes we see in audience members as they leave. This project is our pride. So in this sense, we're upholding the Mosfilm banner and creating something worth seeing with your own eyes," noted the show's producer and director, Tatyana Gavrilova.

In addition to the show itself, filled with film quotes and interesting facts from the history of cinema, viewers will be able to see an exhibition of Mosfilm film awards, a display of movie cameras, the original costumes of Gaidai's trio, a photo exhibition from the set of Mosfilm films, installations based on famous films, and learn a lot about the magical world of cinema. Those interested can combine their visit to the Mosfilm Museum with a tour of the film studio (advance booking required).

The convenient logistics and security measures for guests of the show are especially noteworthy. Clear and easy-to-understand signage throughout the film studio grounds allows guests to reach the pavilions in just a few minutes. Volunteers greet adults and children, and a cloakroom is available. A large paid parking lot is also available for spectators on Mosfilmovskaya Street, opposite the Mosfilm Gallery building (Mosfilmovskaya Street, Buildings 18 and 20 – a special sign has been installed!). To ensure anti-terrorism and fire safety, the Security Service and the Fire and Emergency Prevention Department of Mosfilm Film Concern are on duty 24/7, along with personnel from the 28th separate post of the 28th specialized unit for extinguishing large fires of the Russian Ministry of Emergency Situations. Additionally, public order is maintained by officers of the Russian Ministry of Internal Affairs, canine inspectors, and representatives of a private security company. Medical personnel are also on duty at all times.

The show "To the Stars! Mission: Snowmen in Space" runs through January 8th. Don't miss the opportunity to immerse yourself in the atmosphere of true New Year's magic! Tickets for official website of the show.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

December 24, 2025. Karen Shakhnazarov was awarded the Russian Ministry of Defense's "In Memory of the Heroes of the Fatherland" medal. The award was presented to the Mosfilm Film Concern's CEO by Colonel General Stanislav Gadzimagomedov, head of the National Defense Control Center of the Russian Federation (NDCC RF).

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 24, 2025

News editorial office

The award was presented to the General Director of the Mosfilm Film Concern by the Head of the National Defense Control Center of the Russian Federation (NDCC RF), Colonel General Stanislav Gadzimagomedov.

The "Memory of the Heroes of the Fatherland" Medal is a departmental distinction of the Russian Ministry of Defense. It was established by Order No. 35 of the Russian Minister of Defense on January 26, 2015. The medal is awarded to personnel of the Russian Armed Forces for outstanding achievements in the development of military history and humanitarian knowledge, as well as the implementation of important public projects with a historical and patriotic focus. Additionally, the medal is awarded to Russian and foreign citizens who assist in the implementation of tasks assigned to the Russian Armed Forces.

The awards ceremony took place on December 19 at the National Defense Control Center of the Russian Federation. Approximately 20 awards, certificates of honor, and letters of gratitude from the Russian Ministry of Defense were presented to government officials, cultural figures, volunteers, journalists—all those who support the Russian Army today.

An awards ceremony at the National Defense Control Center of the Russian Federation

As a reminder, in 2024, Karen Georgievich Shakhnazarov was awarded the Russian Ministry of Defense Medal "For Strengthening Military Cooperation"—a high-ranking award for his assistance in solving the tasks assigned to the Russian Armed Forces. Since 2022, Mosfilm has provided comprehensive support to military units and formations of the Russian Army, including technical, financial, material, and targeted assistance to soldiers participating in the Special Military Operations and their families.

The National Defense Control Center of the Russian Federation (NDCC RF) is a military command structure subordinate to the General Staff of the Armed Forces of the Russian Federation, created to coordinate the actions of the Armed Forces of the Russian Federation and maintain them in combat-ready condition, as well as to perform other information and coordination tasks to ensure the national security of the Russian Federation.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Kultura Newspaper: Interview with Karina Abramyan, First Deputy General Director of Melodiya.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Towards the end of the year, Melodiya resumed record production at its own plant in Novosibirsk. Kultura asked Karina Abramyan, First Deputy General Director of Melodiya JSC, to comment on this news.

— How long has the idea of starting a record production been around? What's behind the recent increased demand for vinyl from music lovers, and especially record collectors?

"This idea came to Melodiya CEO Andrey Krichevsky in the summer of 2024. So, the time from the initial concept to its implementation was, give or take, fourteen months."

As for the increased demand that's been evident over the past ten to fifteen years… I think it's connected to the trend toward "owning art." In our case, vinyl is a unique way to "own music." The medium has now reached a certain plateau: that is, mass-market vinyl sales are unlikely—everything "in the millions" is now digital.

— Four "first signs" of the renewed Russian vinyl industry: David Tukhmanov's album "On the Wave of My Memory," Zodiac's Disco Alliance record, recordings by the VIA "Dos-Mukasan," and also… "Autogenic training for alcohol abusers. A session of emotional-stress psychotherapy for those wishing to quit smoking."

"The release of autogenic training is, of course, a pre-New Year's joke, but the recording is nonetheless quite interesting and valuable, as this material hasn't been released on physical media for over forty years. And while that's a joke, few people remember that, in addition to psychological training, this record also features a wealth of wonderful music: Vivaldi, Saint-Saëns, and Massenet performed by great musicians—the Rudolf Barshai Orchestra, the Bolshoi Theater Violin Ensemble, and others. As for the other releases, it's simple: these records were consistently immensely popular in the USSR and continue to attract interest from music lovers today."

— Which task is more of a priority for Melodiya: reissuing famous records from its extensive back catalogue or releasing new vinyl recordings?

For now, we're primarily focused on releasing the most iconic recordings from our archive. We've already prepared albums dedicated to the works of Alexandra Pakhmutova, Anna German, and the ensembles Pesnyary and Orlan. There will also be time-tested classical music releases featuring artists like Grigory Sokolov and Vladimir Spivakov. We also plan to release several renowned children's records, including "Ali Baba" and "Old Man Hottabych." All of them will go on sale in the spring of 2026.

"The need to revive the domestic vinyl industry is truly long overdue. However, isn't there a concern that something will hinder the triumphant march of records? In the late 1980s and early 1990s, as we recall, records lost the battle to compact discs."

Observations over the past few decades have shown that vinyl has not only made a comeback, but has firmly established itself in music lovers' music collections. However, I wouldn't draw any parallels with CDs in this case. After all, if we're talking about new trends in this area, Zoomers have once again shown a keen interest in both CDs and DVDs. So, I believe all the previous media will now be able to coexist harmoniously in niche formats within the music community. And that's encouraging: let all flowers bloom!

Denis Bocharov, December 22, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

12/22/2025 Sound Secrets of "Lefty": From a Robot Flea to the World of Inventions of a Self-Taught Genius. Mosfilm is completing work on the sound design for the historical adventure film "Lefty."

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 22, 2025

News editorial office

Mosfilm is nearing completion on the sound design for the historical adventure film "Lefty." Pavel Doreuli, sound director and co-founder of Atmosfera Studios, whose team is overseeing the entire project, spoke to Mosfilm.ru about the main tasks and challenges: creating the voice and mechanics for the key character, a high-tech flea, and contrasting two worlds: Lefty's crude but brilliant inventions and the sophisticated devices of British intelligence.

The Atmosfera team has been working on the complex sound design for the new film "Lefty" at Mosfilm studios since late May. As Pavel Doreuli (pictured with Pavel Stasenko, sound designer for the re-recording of "Lefty") explained, the sound department was faced with numerous tasks, which were gradually implemented. One of the central ones was creating the sound image of the mechanical Flea—the film's key artifact and character.

"Initially, the Flea in the film is a type of spy mechanism used by the British secret service. The well-known expression, 'Lefty shoed the flea,' is an allegory for his defeat of all their complex mechanisms. Therefore, the task was to create not only the sounds of movement for the Flea but also to convey that it was a high-tech device for the time. It even has a voice! Furthermore, we had to create an organic feel for this character. After all, it's essentially a mechanical robot with pneumatic legs. We sought this in some manifestation of the mechanisms at work, but… with emotion! Accordingly, there were many iterations, and the sound image has only just come together," shared Pavel Doreuli.

Besides Flea, a unique sound design was required for the world of Lefty's inventions: his prosthetic limb, his robotic assistant, detectors, and other flea-fighting devices. It was important to contrast Lefty's self-taught world, where functionality over aesthetics comes first, with the technologically advanced and elegant devices of British intelligence: various types of spy fleas, tracking systems, and so on.

"The sound on set was recorded very well. One of the director's requirements was to preserve as much of the original sound as possible. However, some work was still required: lines were added, some lines were rewritten, extras and cameos were recorded. Overall, more than 90% of the film's sound will be from the set," the sound engineer explained.

A separate, large-scale component of the work is the musical score. The film's soundtrack was written by film composers Georgy Fyodorov and Roman Selivestrov (Major Grom, the fantasy saga Eterna).

"There's a lot of music in 'Lefty.' It simply fills the entire space! The music is very emotional, it drives the action. In my opinion, this is a very interesting compositional approach that supports the dramaturgy and focuses the audience's attention in the right direction," concluded Pavel Doreuli.

ABOUT THE FILM

The film "Lefty" is based on Nikolai Leskov's famous novella, which receives a bold and original interpretation in this new adaptation. The screenplay was written by Ilya Kulikov and Valeria Podorozhnova, and Vladimir Besedin ("Major Grom") directed. The film won the award for most anticipated adaptation at the "Chitka 4.0" festival.

The project stars Yuri Kolokolnikov, Fedor Fedotov, Leonela Manturova, Yan Tsapnik, Alexey Guskov, Artur Ivanov, Alexander Chevychelov and others.

The plot takes viewers to Russia at the end of the 19th century. Against the backdrop of looming war with Great Britain, a mysterious device—a mechanical flea—is discovered in the imperial palace. A young officer, Pyotr Ogarev, who dreams of earning the trust of Emperor Alexander III, is tasked with investigating the incident. In his search for the truth, he teams up with Lefty, a brilliant but forgotten craftsman from Tula. Together, they plunge into a world of intrigue and danger. To uncover the conspiracy, the heroes must challenge the system, unravel family secrets, and make a difficult choice between duty and love. At stake are the country's security and their own destinies.

"Lefty" is an adventure film set in a historical setting. The film is very vibrant, a color scheme chosen to give viewers a fresh sense of the era, without the usual stylization typical of classic films. The film features unique inventions and devices created at the intersection of historical accuracy and the author's imagination.

"The film contains a huge number of details that may not be noticeable at first glance, but they create depth in the characters' images and personalities, and in the story as a whole. Every time the viewer rewatches the film, they will be met with new surprises and discoveries. I strived to give viewers the most engaging cinematic experience possible," said director Vladimir Besedin.

"For me, 'Lefty' isn't just a film, it's a journey. St. Petersburg comes alive here—with its dampness, beauty, and eternal irony—as if it itself becomes the hero. This is the story of Russian talent, capable of shoeing even a flea, but never learning to shoe its own heart. It's about the fragility of the soul, stronger than steel and, at the same time, more vulnerable than any flea. In this strange mixture of genius and simplicity, pain and laughter, stumbles and miracles—there lies the piercing truth of the Russian people," shared actor Yuri Kolokolnikov.

"'Lefty' captivated me with its unexpected combination of a classic literary plot and powerful cinematic thrills. It's an explosive combination, and I hope our film will manage to achieve true success this winter, become a blockbuster—or rather, a flea-buster—and explode at the box office. We were striving for this, working very hard," said actor Fyodor Fedotov.

The final shoots took place on a soundstage in Moscow, while location filming took place in St. Petersburg in the fall and winter of 2024. The film's team meticulously approached the creation of every scene and strictly minimized the use of computer graphics. Numerous sets, models, and locations were built by artists, and the film also features a real animatronic—Lefty's robot companion.

The film will be released on January 22. The project was created by LEGIO FELIX with the support of the Cinema Fund and produced by Ilya Kulikov, Andrey Semenov, Ruslan Sokolov, and Vladimir Permyakov. The distributor is Atmosfera Kino, the theatrical release partner is Kinopoisk, and the film is released with the support of the TNT television channel.

For questions on renting music studios, re-recording studios, speech and sound studios: Tatyana Yuryevna Balter – Director of the Tonstudio PC. Tel.: 7 (499) 143-9803 E-mail: tonstudio@mosfilm.ru Tonstudio, Mosfilmovskaya St. 1, building 27

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

December 18, 2025 "Survive the Ice": How the World of a Soviet Antarctic Station Is Created. Production designer Yulia Makushina (pictured) spoke to Mosfilm.ru about the extensive work involved in creating the visual world of Mosfilm's new film, "Survive the Ice." The primary goal was to recreate the spirit of Soviet polar stations, and the greatest challenge was constructing a full-fledged set in the Far North, near Murmansk.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 18, 2025

News editorial office

Production designer Yulia Makushina (pictured) spoke to Mosfilm.ru about the extensive work involved in creating the visual world of Mosfilm's new film, "Survive the Ice." The primary goal was to recreate the spirit of Soviet polar stations, and the greatest challenge was constructing a full-scale set in the Far North, near Murmansk.

A team of artists and set designers is currently preparing to construct a key filming location—the Voskhod station, a prototype for the real-life Soviet and Russian Antarctic station Vostok. Work is underway on several fronts: from historical research to the design of complex structures capable of withstanding the polar winter.

VOSKHOD STATION: AN ARTISTIC IMAGE BASED ON A REAL OBJECT

Yulia Makushina noted that, as the film's production designer, her task was not to replicate one specific station, but to create a comprehensive yet compelling artistic image.

"We're creating this image from various polar stations. We want it to be convincing, but also artistic… It's something unique, a combination of everything there, so it's interesting and compelling on camera," explains Yulia Makushina.

To delve deeper into the subject, archival photographs, documentaries, and materials from the Mosfilm library were studied. The artists consulted with polar explorers who worked in Antarctica in the 1980s. However, as Yulia Makushina notes, some technical details had to be reconstructed from photographs, as even eyewitnesses no longer remember all the nuances.

CONSTRUCTION IN EXTREME CONDITIONS

The most complex and large-scale project is the station's full-scale set, which will begin construction in February next year on the site of a former airfield in the Murmansk region. The location was chosen due to its guaranteed snow cover and relative (by regional standards) protection from the strong winds typical, for example, in Teriberka.

The production designer demonstrated a model of the future set, which will consist of several buildings: service and residential quarters, a building housing diesel generators and a water purification and storage system, warehouses, and so on. The set will not be hollow—the buildings will be constructed from metal structures capable of withstanding Arctic storms. Stuntmen and pyrotechnicians will also be working within them, as one of the film's central scenes involves an extreme situation at the station.

"Of course, this is a professional challenge. Textured and painted work in -30°C temperatures and windy conditions is a serious test for the artists and prop masters who bring our vision to life," says the production designer.

Around 30 people will be involved in construction, with another seven specialists working on the set and props. After filming, the set will likely be dismantled.

In addition to the station, a fleet of unique equipment is being created for the film: · Airplane mockup (built in St. Petersburg) · All-terrain vehicle "Kharkovchanka" (also manufactured in St. Petersburg)

Interior filming will take place on Mosfilm soundstages. The station's living and working modules, including the mess hall, infirmary, and radio room, will be built there. Real Moscow locations have already been selected for other scenes: the interiors of a scientific institute, as well as exteriors and interiors at Moscow's airports.

Thus, viewers of "Survive the Ice" will see not computer graphics, but a completely tangible world, created by the hands of artists, decorators, and builders in conditions close to those in which the film's characters find themselves.

As a reminder, the film "Survival in the Ice" is set in the early 1980s. The film's central characters are the staff of a polar station in Antarctica who find themselves in an extreme situation during one of their wintering trips.

The film's director of photography is Alexander Kuznetsov (White Tiger, Anna Karenina. Vronsky's Story, Gloomy River), the production designer is Yulia Makushina (Decision on Liquidation, GDR, For Us and You), the costume designer is Vladimir Nikiforov (Khitrovka. The Sign of Four, Streltsov, Tobol), the sound engineer is Vitaly Roshchupkin (Khitrovka. The Sign of Four, Vladivostok, Decision on Liquidation), and the makeup artists are Evgeniya Malinovskaya and Mikhail Vigdorov.

The film is being produced by Gopkins Film Production, commissioned by Mosfilm. Producers are Denis Lopatkin and Alexander Perevezentsev, and executive producer is Anatoly Shelyakin.

The film's general producer is Karen Shakhnazarov, a film director and head of the Mosfilm Film Concern, and its deputy general director, Andrey Gushchin, is the producer. The film is being made without any state budget funds or sponsorship.

As a reminder, Mosfilm.ru previously reported on the completion of extensive screen tests for the project "Survive the Ice."

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Musical life: For Sviridov's anniversary, Melodiya is releasing a digital album of his vocal music.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

To mark the 110th anniversary of Georgy Sviridov's birth, Melodiya presents an album of his vocal music – songs and romances performed by Alexander Vedernikov and the author.

Vocal compositions are one of the largest sections of Sviridov's oeuvre. He devoted a special place to short, chamber, intimate songs that reflect the state of the ordinary person.

The album consists of works from various years, including extensive vocal series: "Songs to the Poems of Robert Burns," the vocal poem "Glory of the Fathers," songs to the poems of Avetik Isaakyan, and romances to the poems of Alexander Pushkin. Songs written outside the cycles are drawn to them like companions.

The renowned bass Alexander Vedernikov, a master of subtle acting and nuances of intonation and sound, was the first performer of many of the composer's song cycles. His recordings reveal how Georgy Sviridov worked with poetry, how important the poetic word was to him, and how at times the music deceptively faded into the background to emphasize a line or a thought. The album presents a gallery of unnamed heroes from the people, to whom the composer, along with his chosen poets, gave a voice and the right to be heard.

For the composer's anniversary, the Melodiya company prepared a releasesecond vocal albummusic dedicated to choral works. The digital album will be available on December 19.

December 16, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

On December 17, 2025, a retrospective of Karen Shakhnazarov's films was presented at a film festival in India. Mosfilm director Karen Shakhnazarov presented a retrospective of his films at the 23rd Chennai International Film Festival, which is being held in the capital of the southern Indian state of Tamil Nadu from December 11 to 18.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 17, 2025

News editorial office

Mosfilm director Karen Shakhnazarov presented a retrospective of his films at the 23rd Chennai International Film Festival, which is taking place in the capital of the southern Indian state of Tamil Nadu from December 11 to 18.

"This year, the festival program places a special emphasis on Russia. The film festival featured screenings of five films by Karen Shakhnazarov, marking the director's 50th anniversary," said Alexander Dodonov, director of the Russian House in Chennai.

The program of the 23rd Chennai International Film Festival included five films by film director and People's Artist of Russia Karen Shakhnazarov: The Courier (1986), The Tsaricide (1991), American Daughter (1995), The Vanished Empire (2008), and White Tiger (2012).

Before the screening of the war film "White Tiger," Karen Shakhnazarov met with his Tamil colleagues, National Film Award winners Vasanth Sai, Seemu Ramasamy, Sharavana Subbiah, and Jayapraksh Radhakrishnan. The participants exchanged creative experiences and discussed the specifics of national cinematic traditions. Karen Shakhnazarov's films are frequently featured at various Indian festivals and film festivals. The director has repeatedly noted that cinema plays a significant role in bringing the peoples of the two countries closer together.

Addressing the audience, Karen Georgievich noted that he had always dreamed of showing his films in India. "Indian cinema is one of the largest and greatest in the world. I am sincerely grateful to the film festival for the opportunity to present my work in Chennai. Russia and India are two great friends, and culture greatly contributes to strengthening our relations. Cinema is a classic example of this," the director emphasized.

An interesting fact: the mystical war drama "White Tiger," one of the director's most popular films among international audiences, was watched by more than 3.5 million viewers with English subtitles on official Mosfilm websites!

The Chennai International Film Festival has been held annually in December since 2003 and is one of the most significant cultural events in Indian cinema. In 2025, the festival will take place from December 11 to 18.

As a reminder, the Russian House in Trivandrum, with the support of Mosfilm, also regularly hosts film festivals and screenings of Russian and Soviet films. In December 2024, it hosted a film festival celebrating the centenary of Mosfilm Studios, with Karen Shakhnazarov's adventure film "Khitrovka: The Sign of Four" (2023) serving as the opening film.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Vedomosti: Vinyl is making a comeback. Melodiya is reviving production in Novosibirsk.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Following its separation from the state holding company and privatization in 2020, the new private owner, Formax, invested approximately 150 million rubles in reviving the full record production cycle. A key decision was a shift in strategy: Melodiya is once again becoming not only the copyright holder of a gigantic archive but also the manufacturer. This decision was made amidst a sustained interest in vinyl among young people—in 2024, record sales on marketplaces grew by more than 88%. The founders emphasize that this is a natural continuation of musical traditions in the country and a logical step for a brand that Russians still associate with records.

This event marks the end of a long period when the brand, having lost its own production facilities after 1991, existed solely as an archival label and publisher, pressing vinyl at third-party factories in Europe. Now, the entire process—from remastering the original master tapes from which the vinyl records are copied, to pressing and packaging—is controlled by the company. The facility is designed to produce at least 100,000 records per year. Records are pressed using matrices made from the original master tapes.

The first releases are already available: the cult electronic album "Disco Alliance" by Zodiac, "Po volne moego pamiat" (On the Wave of My Memory) by David Tukhmanov, which has remained a hit for 50 years, the landmark album by VIA "Dos-Mukasan," and an updated version of a popular autogenic training song from the 1980s. Plans include more than 20 new pressings, including classical, pop, and children's fairy tales, as well as commissioned releases for third-party labels and artists. Melodiya hopes to capture up to half of the Russian vinyl market and is also considering the project with an eye toward export, reasserting itself as a major industrial player in the world of music.

Ivan Otvagin, December 12, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Weekend Magazine: Melodiya has opened its own vinyl production plant!

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Firma Melodiya has launched its own vinyl record production facility in Novosibirsk. The decision was made due to the high demand for analog media. The first batch of releases is already available for sale.

"The revival of production under the Melodiya brand is a natural development of musical traditions in our country, which will allow the plant to become a worthy successor to the Soviet Melodiya plants," stated the company's CEO, Andrey Krichevsky. The first record released at the new facility was a Soviet autogenic training track from the 1980s, a recording developed by doctors at the Energetik sanatorium in Yalta as part of a healthy lifestyle course.

The initial batch also included iconic albums: "Po volne moe pamiat" (On the Wave of My Memory) by David Tukhmanov, "Disco Alliance" by the Latvian band Zodiac, and the debut album by the Kazakh VIA "Dos-Mukasan." The plant plans to expand its lineup and release records commissioned by artists and labels. The plant's capacity allows for the production of up to 100,000 records per year.

Semyon Nosov, December 16, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.