On December 17, 2025, a retrospective of Karen Shakhnazarov's films was presented at a film festival in India. Mosfilm director Karen Shakhnazarov presented a retrospective of his films at the 23rd Chennai International Film Festival, which is being held in the capital of the southern Indian state of Tamil Nadu from December 11 to 18.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 17, 2025

News editorial office

Mosfilm director Karen Shakhnazarov presented a retrospective of his films at the 23rd Chennai International Film Festival, which is taking place in the capital of the southern Indian state of Tamil Nadu from December 11 to 18.

"This year, the festival program places a special emphasis on Russia. The film festival featured screenings of five films by Karen Shakhnazarov, marking the director's 50th anniversary," said Alexander Dodonov, director of the Russian House in Chennai.

The program of the 23rd Chennai International Film Festival included five films by film director and People's Artist of Russia Karen Shakhnazarov: The Courier (1986), The Tsaricide (1991), American Daughter (1995), The Vanished Empire (2008), and White Tiger (2012).

Before the screening of the war film "White Tiger," Karen Shakhnazarov met with his Tamil colleagues, National Film Award winners Vasanth Sai, Seemu Ramasamy, Sharavana Subbiah, and Jayapraksh Radhakrishnan. The participants exchanged creative experiences and discussed the specifics of national cinematic traditions. Karen Shakhnazarov's films are frequently featured at various Indian festivals and film festivals. The director has repeatedly noted that cinema plays a significant role in bringing the peoples of the two countries closer together.

Addressing the audience, Karen Georgievich noted that he had always dreamed of showing his films in India. "Indian cinema is one of the largest and greatest in the world. I am sincerely grateful to the film festival for the opportunity to present my work in Chennai. Russia and India are two great friends, and culture greatly contributes to strengthening our relations. Cinema is a classic example of this," the director emphasized.

An interesting fact: the mystical war drama "White Tiger," one of the director's most popular films among international audiences, was watched by more than 3.5 million viewers with English subtitles on official Mosfilm websites!

The Chennai International Film Festival has been held annually in December since 2003 and is one of the most significant cultural events in Indian cinema. In 2025, the festival will take place from December 11 to 18.

As a reminder, the Russian House in Trivandrum, with the support of Mosfilm, also regularly hosts film festivals and screenings of Russian and Soviet films. In December 2024, it hosted a film festival celebrating the centenary of Mosfilm Studios, with Karen Shakhnazarov's adventure film "Khitrovka: The Sign of Four" (2023) serving as the opening film.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Vedomosti: Vinyl is making a comeback. Melodiya is reviving production in Novosibirsk.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Following its separation from the state holding company and privatization in 2020, the new private owner, Formax, invested approximately 150 million rubles in reviving the full record production cycle. A key decision was a shift in strategy: Melodiya is once again becoming not only the copyright holder of a gigantic archive but also the manufacturer. This decision was made amidst a sustained interest in vinyl among young people—in 2024, record sales on marketplaces grew by more than 88%. The founders emphasize that this is a natural continuation of musical traditions in the country and a logical step for a brand that Russians still associate with records.

This event marks the end of a long period when the brand, having lost its own production facilities after 1991, existed solely as an archival label and publisher, pressing vinyl at third-party factories in Europe. Now, the entire process—from remastering the original master tapes from which the vinyl records are copied, to pressing and packaging—is controlled by the company. The facility is designed to produce at least 100,000 records per year. Records are pressed using matrices made from the original master tapes.

The first releases are already available: the cult electronic album "Disco Alliance" by Zodiac, "Po volne moego pamiat" (On the Wave of My Memory) by David Tukhmanov, which has remained a hit for 50 years, the landmark album by VIA "Dos-Mukasan," and an updated version of a popular autogenic training song from the 1980s. Plans include more than 20 new pressings, including classical, pop, and children's fairy tales, as well as commissioned releases for third-party labels and artists. Melodiya hopes to capture up to half of the Russian vinyl market and is also considering the project with an eye toward export, reasserting itself as a major industrial player in the world of music.

Ivan Otvagin, December 12, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Weekend Magazine: Melodiya has opened its own vinyl production plant!

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Firma Melodiya has launched its own vinyl record production facility in Novosibirsk. The decision was made due to the high demand for analog media. The first batch of releases is already available for sale.

"The revival of production under the Melodiya brand is a natural development of musical traditions in our country, which will allow the plant to become a worthy successor to the Soviet Melodiya plants," stated the company's CEO, Andrey Krichevsky. The first record released at the new facility was a Soviet autogenic training track from the 1980s, a recording developed by doctors at the Energetik sanatorium in Yalta as part of a healthy lifestyle course.

The initial batch also included iconic albums: "Po volne moe pamiat" (On the Wave of My Memory) by David Tukhmanov, "Disco Alliance" by the Latvian band Zodiac, and the debut album by the Kazakh VIA "Dos-Mukasan." The plant plans to expand its lineup and release records commissioned by artists and labels. The plant's capacity allows for the production of up to 100,000 records per year.

Semyon Nosov, December 16, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

December 16, 2025: Svetlana Druzhinina's Anniversary. Today, People's Artist of the Russian Federation Svetlana Druzhinina celebrates her 90th birthday. Actress, director, screenwriter, and producer, Svetlana Sergeevna has distinguished herself in a wide range of film roles during her long and successful career. Her filmography includes over 20 outstanding projects! Mosfilm.ru recalls the key creative milestones of Svetlana Druzhinina, whose professional career is closely linked to the legendary film studio.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 16, 2025

News editorial office

Today, People's Artist of the Russian Federation Svetlana Druzhinina celebrates her 90th birthday. Actress, director, screenwriter, and producer, Svetlana Sergeyevna has distinguished herself in a wide range of film roles during her long and successful career. Her filmography includes over 20 outstanding projects! Mosfilm.ru recalls the key creative milestones of Svetlana Druzhinina, whose career is closely linked to the legendary film studio.

Svetlana Sergeyevna Druzhinina was born on December 16, 1935, in Moscow. Her childhood coincided with the war years: Svetlana's father died at the front, and Svetlana and her mother were forced to evacuate twice. After the war, they returned to Moscow. Druzhinina dreamed of becoming a performer from childhood and, at the age of 12, entered circus school. A year later, she transferred to the choreography school at the Stanislavsky and Nemirovich-Danchenko Moscow Academic Musical Theater, and later to the choreography school of the State Academic Bolshoi Theater. Her classmates included Maris Liepa and Natalia Kasatkina. Her teachers noted Svetlana Sergeyevna's talent for dance, but a serious arm injury forced her to abandon her ballet career.

In search of a new creative outlet, Svetlana Druzhinina tried her hand at presenting. Mosfilm director Samson Samsonov saw one of her concerts. He tracked her down and offered her a role in his film, Behind the Department Store Window (1955). Fascinated by cinema, Svetlana enrolled in the acting department of VGIK (Olga Pyzhova and Boris Bibikov's workshop), where her classmates included Leonid Kuravlyov and Sofiko Chiaureli. For the next ten years, Druzhinina devoted herself to acting, appearing in films such as It Happened in Penkovo (1957) and Girls (1961). Druzhinina retired from acting in 1965, having appeared in films such as There Is a Son Somewhere (1962) and What Is the Sea Like? (1964), "Green Light" (1965) and "Beloved" (1965).

In the 1950s and 1960s, audiences could appreciate the brilliant acting talent of Svetlana Druzhinina.

In the mid-1960s, the already well-known and beloved actress decided to change her role – she re-enrolled at VGIK, this time in the directing department (Igor Talankin's workshop). In 1969, after graduating, Svetlana Sergeyevna began working at Mosfilm Studios as a director. Her feature-length directorial debut was the film "Wish Fulfillment" (1973), based on the novel of the same name by Veniamin Kaverin. The film starred Yevgeny Lebedev, Innokenty Smoktunovsky, Natalya Bondarchuk, and Nikolai Eremenko. In the late 1970s, Svetlana Druzhinina discovered a new direction – musical films. This is how her films “Sun, Sun Again” (1976), “The Hussar’s Courtship” (1979), “Dulcinea del Toboso” (1980) and “The Circus Princess” (1982) appeared.

Svetlana Druzhinina's crowning achievement as a director is considered to be the multi-part film "Midshipmen, Forward!" (1987), based on Nina Sorotokina's novel "Three from the Navigation School." The film achieved nationwide success! The leading roles were played by Sergei Zhigunov, Dmitry Kharatyan, and Vladimir Shevelkov. The film also starred Mikhail Boyarsky, Yevgeny Yevstigneyev, Aleksandr Abdulov, Innokenty Smoktunovsky, and other actors. Filming lasted over a year and a half. Svetlana Druzhinina subsequently directed four sequels to "Midshipmen." From 1995 to 2011, she worked on another large-scale historical project—the film series "Secrets of Palace Revolutions" about the lives of Russian empresses.

Film director and People's Artist of the Russian Federation Svetlana Druzhinina on the set of her films

Svetlana Druzhinina's cinema is not documentary historical reconstructions, but rather vibrant worlds where moral contrasts are clear, good triumphs, and evil is vivid. Her historical costume dramas are, above all, fairy tales, where the essence lies in the truth of feelings: friendship, love, patriotism. Svetlana Druzhinina's films are almost always a cascade of charming characters (the legendary "midshipmen"), sparkling dialogue, memorable songs, and impeccably handsome actors. She created not just characters, but archetypes. During the perestroika era, her cinema gave viewers something scarce: unconditional joy, hope, and confidence in the justice of the world order.

Over the course of her long career, Svetlana Druzhinina has received numerous awards and prizes. In 2001, she was awarded the title of People's Artist of the Russian Federation for her significant contributions to the arts. She is also a recipient of the Order of Honor, the Order of Friendship, and the Order "For Merit in Culture and Art." Over the years, Druzhinina has won the Golden Eagle Film Award, the Moscow International Film Festival Prize, the Vivat Cinema of Russia! Film Festival Prize, and others.

The Mosfilm team heartily congratulates Svetlana Druzhinina on her anniversary and wishes her good health and new creative achievements!

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

12/11/2025 War fantasy "Saving the Immortal": music recording, sound mixing at Mosfilm. The music for the film "Saving the Immortal" was recorded at Mosfilm's 1st music studio.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 11, 2025

News editorial office

The music for the film "Saving the Immortal" (previously titled "The Return of Mendysh") has been recorded at Mosfilm's Music Studio 1, and the final soundtrack is already being mixed at Dolby Studio 6. Mosfilm.ru spoke with composer Aizhamal Samatova and sound engineer Lola Bukaeva about the process of creating the film's soundscape.

The Opensound Orchestra symphony orchestra, conducted by Stanislav Malyshev, performed a score created by young composer Aizhamal Samatova. The music was developed in close collaboration with the film's director, Pavel Ignatov, and sound engineer, Lola Bukaeva. For Aizhamal Samatova, a graduate of the Gnessin Russian Academy of Music, this project marked her film debut.

"It was crucial for me that the music convey not the characters' national differences, but rather the feelings they share—love, the pain of loss, joy," shared Aizhamal Samatova. "Even if the film features a song in Kyrgyz, it doesn't require translation: the characters' emotions are clear without words. That's the main idea."

The composer noted the unique creative atmosphere at Mosfilm and thanked her mentor, renowned film composer Yuri Potenko, for his assistance with the orchestration. The recording, supervised by experienced sound engineer Gennady Papin, was smooth and precise, achieving the desired depth and emotionality of the sound.

The film is currently being re-recorded (final mixing – ed.) at Dolby Studio 6. Previously, the film's editors completed editing (editing director: Olga Proshkina) and voice-over work. The team has 20 work shifts ahead. According to the film's creators, everything is aimed at finding the final creative and technical solution for the film's sound design, a balance between sound and image that aligns with the director's vision and the perceptions of the young audience for whom this film is being made.

The film's sound director, Lola Bukaeva, along with her colleague Daler Khasanov, who has worked with this team on other projects, are perfectionists in their field, meticulously working on the film's sound design.

"Of course, the final say always rests with director Pavel Ignatov. Our task is to realize the director's vision, which, I believe, we understood from the very beginning of work on this very unusual and beloved film," shared sound engineer Lola Bukaeva.

Sound engineers particularly note the high-tech nature of Mosfilm's dubbing studio as one of the most advanced production facilities in Russia for this stage of film production. They estimate that the Mosfilm dubbing studio's equipment meets the most modern standards.

Let us remember that the editing and post-production stage of the film "Saving the Immortal" (previous working title "The Return of Mendysh") is carried out entirely at the Mosfilm production and technical base – this includes voice-over, sound recording, background recording, music recording, re-recording (final mixing of the film's soundtrack – ed.), etc.

Filming took place in wintry Belarus and the scorching Tien Shan Mountains of Kyrgyzstan. The plot is based on the life and tragic fate of Kyrgyzstani Mendysh Omuraliev, who died in the Battle of Rzhev in 1942. His remains were found by a search party and returned to his birthplace, the Talas region of Kyrgyzstan, where he was buried with full military honors.

"Extreme blogger Sasha Ustinov (played by popular blogger Gufee Medalina), living in a reality of streaming and hype, finds himself drawn into the events of the Great Patriotic War through a mystical connection to the past. The discovery of the remains of an unknown soldier in the present day by his grandfather, a searcher, becomes a turning point, launching a fantastic journey through time," the film's synopsis states.

The film was written by Alexander Shevtsov and directed by Pavel Ignatov. Lola Bukaeva served as the film's sound engineer, and Aizhamal Samatova composed the music. The role of Mendysh Omuraliev was given to Kyrgyz actor Kymbatbek Alimzhanov. The modern-day hero, Sasha Ustinov, was played by Mikhail Medalin, a popular Russian rapper and blogger with a multi-million audience, also known by his stage name Gufee Medalin. This young adult fantasy film (12) is presented by Reversiya Film Company and the Memory of Victories Foundation.

According to the film's creators, the main goal of "Saving the Immortal" is to awaken in the younger generation a genetic memory of the exploits of the heroes of the Great Patriotic War. The film is primarily aimed at the younger generation. The film's wide release is scheduled for Defender of the Fatherland Day, February 26, 2026.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

On December 15, 2025, the Mosfilm Cinema Center was recognized as the capital's best movie theater. The winners of the annual "Guiding Star" tourism and hospitality awards were announced. The ceremony took place at the Zaryadye Concert Hall. The best tourism industry professionals were announced and awarded in 23 categories. Mosfilm is among the winners!

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 15, 2025

News editorial office

The winners of the annual "Guiding Star" tourism and hospitality awards have been announced. The ceremony took place at the Zaryadye Concert Hall. The best tourism industry professionals were announced and awarded in 23 categories. Mosfilm is among the winners!

For 26 years, the Moscow Government has been recognizing industry representatives who make the capital more attractive and comfortable. This year, the competition has 44 winners implementing significant projects for Moscow in the following categories: "People and Personnel," "Gastronomy and Shopping," "Culture and Entertainment," "Public Spaces and Urban Environment," "Hotels," "Media," and others. The jury also awarded the best tour guides, bloggers, restaurateurs, and others.

"We are honored to receive this high recognition from the Moscow Government. Today, the Cinema Center is truly one of the most sought-after cultural venues in the capital. It's important to emphasize that it's more than just a movie theater. Our venue's technical and organizational capabilities allow us to implement dozens of diverse projects—hosting events of any scale, complexity, and original format. We value this award and are thrilled to be able to provide Muscovites and visitors with joy and quality entertainment," noted Karen Shakhnazarov, General Director of the Mosfilm Film Concern.

The Mosfilm Cinema Center (Cinema Park Mosfilm), which opened in 2023, is one of the most iconic and sought-after venues and one of the most popular cultural destinations in Moscow. It offers special screenings, meetings with directors and actors, discussions with critics and experts, and screenings not available in many cinemas—from retrospectives to new festival films—as well as live broadcasts of cultural and sporting events, lectures, shows, and performances. The Mosfilm Cinema Center's facilities allow it to host events of varying scale and complexity, all with unique formats.

On Yandex Maps, the Cinema Center has a perfect score of 5.0 based on hundreds of ratings! This multifunctional complex boasts the best technical equipment in the country, including a Barco 4K laser projector, a massive 227-square-meter screen, a Dolby System 136 acoustic system for uniform sound distribution, and specialized stage equipment suitable for concerts and shows on the large stage. The other cinemas—one with 108 seats and two mini-cinemas with a capacity of 50 each—are also equipped with Barco 4K digital projectors and a Dolby Atmos audio system. Another advantage of the Mosfilm Cinema Center is its ample parking.

As a reminder, in 2024, the Mosfilm Cinema Center won the Active Citizen project's popular vote by a landslide in the category of "Country's Main Premiere Venue." Construction of this large-scale cinema complex was completed without state budget funding, as part of an investment project.

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

December 12, 2025. "The Black Man": Yesenin's Famous Poem to Take Cinematic Form. Filming for director Anna Matison's film project "The Black Man," based on Sergei Yesenin's poem of the same name, took place in Mosfilm's Pavilion 9. The lead and only role is played by Sergei Bezrukov, People's Artist of the Russian Federation.

Translation. Region: Russian Federation –

Source: Mosfilm Film Concern – An important disclaimer is at the bottom of this article.

December 12, 2025

News editorial office

Filming for director Anna Matison's film project "The Black Man," based on Sergei Yesenin's poem of the same name, took place in Mosfilm's Pavilion 9. The lead and only role is played by Sergei Bezrukov, People's Artist of the Russian Federation.

For one day, Mosfilm's Pavilion No. 9 was transformed into a metaphysical space to bring to life the visual dramaturgy of this highly complex work. Specially for the shoot, Mosfilm-Decorstroy specialists constructed a set that subtly emphasized the poem's atmosphere and metaphors, as well as the inner world of its lyrical protagonist.

The film's production is timed to coincide with significant dates. 2025 has been declared the Year of Yesenin in Russian culture, and October 2 marked the poet's 130th birthday. Sergei Yesenin's work is familiar to everyone, and according to bookstore surveys, he consistently remains one of the most popular authors among readers. But, as Sergei Bezrukov noted, there is one work that stands apart in Yesenin's career, resonating with everyone who encounters it. "The Black Man" is the famous poet's last major poetic work. According to Yesenin scholars, it expresses the poet's despair and horror at reality, a dramatic sense of the futility of any attempt to penetrate the mystery of existence.

"I've been reading 'The Black Man' for years, and this unique work draws people back again and again, to once again find themselves on the other side of consciousness, to experience something more than just rhymed words. It's the most requested poem; it's what brings a new, younger generation to our performances. That's why they are the main audience for our project!" Sergei Bezrukov noted in an exclusive comment for Mosfilm.ru.

The short film's director and production designer is Anna Matison, and the cinematographer is Pavel Beklemishev. The leading and only role is played by People's Artist of the Russian Federation Sergey Bezrukov. According to the project's creators, the idea of filming "The Black Man" has been in the works for a long time. The main goal is to create a powerful, visually rich work that will convey its depth and tragedy to a modern audience using the language of cinema.

"Shooting in a studio will allow us to achieve a high artistic standard, as it will allow us to control the light and atmosphere—critical to the realization of a creative idea," emphasized Sergei Bezrukov.

The premiere of the "Black Man" project will take place on December 28, the centenary of Sergei Yesenin's tragic death.

Production: Sergei Bezrukov Film Company.

Photo – Sergey Bezrukov's official website

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Rules of life: Denis Boyarinov on the return of Melodiya vinyl.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Melodiya's return to the world of vinyl is an event the industry has been talking about for years. Denis Boyarinov recalls how the label survived the 1990s, why the art of pressing records was lost in Russia, and the rationale behind the choice of its first releases.

The news that Melodiya had launched its own vinyl pressing plant in Novosibirsk and was once again pressing records in-house was a true joy for me. I've been following the company's fortunes for a long time—especially as a journalist, since the mid-2000s—and I know its post-Soviet history well. There were moments when Melodiya itself and its unique archive of audio recordings threatened to simply disappear. It's no secret that many—government officials and entrepreneurs alike—saw Melodiya's value only in its former premises on Tverskoy Boulevard. These were the darkest times: the fate of a company that embodied the entire history of Russian recordings, along with its vast archive of phonograms, an entire layer of the country's audio history, hung in the balance. All of this might simply not survive to this day.

When Melodiya ceased to be a state-owned company and became an independent private enterprise, continuing its work—preserving and researching audio archives, reissuing recordings, and even producing new phonograms—one crucial element was still missing: in-house record production. So, I was extremely excited about the launch of the new plant—incidentally, only the second in Russia. Especially since they managed to select the equipment, fine-tune the manufacturing processes, and launch replication in just a year, which is no easy feat technologically.

In Soviet times, Melodiya was the world's largest record label: several factories, several recording studios, a vast distribution network, and records sold in the millions. I have no illusions that we can return to those times—and there's no need. But having its own factory today means that it will be much easier for Melodiya to press records, which means they will ultimately be more affordable. It will also make it easier for other Russian labels and companies to press vinyl in Russia. What could be wrong with that?

When discussing the quality of Melodiya's new records, it's important to understand that vinyl pressing is essentially a handcrafted process, a delicate one with a high probability of defects. Even the weather affects record printing. It's far more complex than, say, publishing a book or reproducing a CD. The art of record production—and it is an art—was completely lost in Russia by the early 21st century: Melodiya's last pressing plants were dismantled and sold for spare parts in the early 1990s. These spare parts later surfaced in Europe, where skilled craftsmen assembled them into working production lines and, ironically, used them to press records for Russia, among others. In Russia, for a long time, no one even attempted to make vinyl. The first and, until recently, only full-cycle plant, Ultra Production, only opened in 2014.

Now Melodiya has joined the revival of lost art and forgotten technologies: they've found specialists who worked in Soviet factories, consult with them, and train young people. We'll find out how well Melodiya's own records will sound—we'll listen to them and compare—but the important thing is that the process has finally begun.

As for the choice of releases for the first wave of reissues, it seems quite logical to me. It might surprise the average listener, but for those interested in Soviet and "melody" vinyl, there are almost no surprises. Moreover, in my Telegram channel "Red Book", which is dedicated specifically to vinyl and Soviet musical heritage, some experts even criticized the selection for not being "rarity enough." I, however, see a clear internal logic to it.

David Tukhmanov's "On the Wave of My Memory" and Zodiac's "Disco Alliance" are both iconic and popular records for people born in the 1970s and 1980s. Their reissue on Melodiya's own, newly established Russian vinyl press has not only commercial but also symbolic significance. Moreover, these albums were first reissued at the Ultra Production plant, allowing them to be directly compared to the Novosibirsk Melodiya releases. Initial reviews suggest that the new Novosibirsk pressings sound better, confirming that the production process has been streamlined.

It's also important to remember that the Soviet editions of "Po volne moego pamiaty" and "Disco Alliance," which can be found in record shops and online stores today, sound different. It's not just that they're full of grit—old records suffer greatly with age. Modern vinyl reissues are tailored to today's listeners: the soundstage is structured differently, and even the bass sounds different—deeper and richer. It's akin to restoring classic films for modern cinemas—an attempt to bridge the gap created by technological advances.

The reissue of the debut album by the first Kazakh rock band, Dos-Mukasan, is another very precise and important step. This record is quite rare, and the originals are expensive, but now it will be much more accessible—in a new edition specially mastered for vinyl.

The release of the album "Autogenic Training Against Alcohol and Smoking" isn't just a joke for the initiated, but also an excellent example of the amazing recordings that can be found in Melodiya's catalog and the additional historical dimension each of them receives in the new edition.

What's worth reissuing next? Melodiya has a wealth of interesting material in its archives: cool, rare, obscure, and simply stunning music, ranging from the masters of Russian classical music to the folklore of vanishing peoples and countries. I know that Melodiya employees closely read my Telegram channel, where these kinds of records are discussed, and I send them my suggestions from time to time. I know several specialists who work with Melodiya: they are incredible fans and enthusiasts of their craft. In addition to vinyl records, Melodiya is actively involved in digital reissues via streaming services, bringing very rare recordings back into circulation. But vinyl records are a much more expensive business, and the logic here is different. Melodiya operates in a market-driven environment, and it's important to understand that a print run of 500-1,000 copies is a serious investment; some guarantee of a record's success is needed. It is necessary to constantly maintain a balance between the rare and the sought-after, between what is interesting to collectors and diggers, and what might attract a less sophisticated listener.

I know Melodiya is preparing several very interesting reissues for 2026 (the preparation of such releases can take anywhere from a year to several years). So, expect some truly amazing surprises. I won't give away everything—the important thing is that the vinyl pressing process has begun and can't be stopped.

"Rules of Life", December 11, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Kommersant: Discs are spinning in Novosibirsk.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

A full-cycle vinyl record production facility with a capacity of up to 120,000 units per year has been launched in Novosibirsk. The investor invested approximately 160 million rubles of its own funds in the project, which was used to purchase imported equipment and premises. The company sources raw materials from Italy and uses domestic technology. Within five years, the company plans to capture up to 50% of the Russian record production market, with sales estimated at at least 600,000 units per year. Experts believe the manufacturer's plans are achievable, but caution that to guarantee success, the company requires a sound business strategy and a willingness to engage with the music industry.

A full-cycle vinyl record production facility has been launched in Novosibirsk. JSC Novosibirsk Record Plant is owned by Russia's oldest music label, Melodiya (Moscow-based JSC Firma Melodiya). The 600-square-meter production facility, located within the city limits, currently employs seven people. Initial production capacity is approximately 120,000 records per year, with the potential for subsequent expansion. Total investment in the project amounted to approximately 160 million rubles, which was used to purchase the premises, raw materials, and equipment.

As Roman Abramov, the plant's Operations Director, told Kommersant-Siberia, the decision to open a production line was made due to increasing consumer demand for records. "The market has been driven in recent years by the growing number of vinyl enthusiasts and the growing market for high-quality record playback equipment. We were able to set up production from scratch in a relatively short period of time, and it is now operating successfully," he said. The plant's production machine was imported from Hong Kong, with Sweden and Switzerland being the primary suppliers of equipment. Raw materials for the records are from Italy, and the technology used is domestic.

"During Soviet times, vinyl was produced in the USSR, and music lovers sometimes had complaints about its quality. Now we've chosen the best vinyl—Italian—it's noiseless and ideal for sound recording. We plan to purchase colored vinyl. Then we'll be able to experiment with color editions," said Karina Abramyan, First Deputy General Director of Melodiya.

The plant plans to release tracks from both the Melodiya catalog and commissioned by musicians, labels, agencies, and others. The first record from the new production was "Autogenic Training for Alcohol Abusers," a 1980s album developed by doctors at a Yalta sanatorium. The batch also included David Tukhmanov's "On the Wave of My Memory," the album "Disco Alliance" by the Latvian band "Zodiac," and an album by the VIA "Dos-Mukasan."

The launch of its own enterprise will allow the company to capture 30-50% of the vinyl record market in Russia within five years, after which the manufacturer plans to begin exporting, the company said.

Alexander Balakin, head of sales at Yekaterinburg-based vinyl record manufacturer M9 LLC (Muzilla Production), believes the company's plans are entirely feasible—he estimates annual demand growth in the domestic market at around 20%. "Demand is growing; records are being ordered not only by vinyl fans, but also by young artists, as well as by ordinary consumers and organizations as merchandise or gifts. Our current production capacity is approximately 50,000 records per month," he commented.

Russia's largest vinyl record manufacturing plant, Ultra Production (part of Multimedia Holding CJSC), is booked with orders from domestic artists for two to three years in advance, according to a Kommersant source in the music market.

Kommersant's sources in the music market estimate annual sales of domestic and foreign-produced vinyl records in Russia at between 600,000 and 1.3 million. "Our main suppliers were partners in Austria and England, and two Russian distributors who shipped shipments through other countries," says a representative of a vinyl record store. From Austria, goods were shipped via Berlin and arrived within eight days, he explains.

Mikhail Burmistrov, CEO of Infoline-Analytics, notes the timely launch of vinyl record production in Novosibirsk. He notes that demand for vinyl in Russia has been growing at double-digit rates in recent years, and production capacity is insufficient, while imported products are becoming more expensive despite the strengthening ruble.

"Until recently, Russia essentially had only one full-cycle plant, Ultra Production, with a capacity of around 200,000 units. Combined with Muzilla Production near Yekaterinburg and the Melodiya plant in Novosibirsk, it now has the potential to supply up to 50% of the domestic market," the expert predicts.

According to his estimates, in 2025, demand for vinyl records in Russia will exceed 1 million units, and taking into account purchases in cross-border trade, 1.2 million units.

Among the project's risks, Anastasia Vladimirova, Managing Partner of IPM Consulting, cites dependence on imported equipment and raw materials. If any difficulties with payments arise due to the tightening of sanctions, the company risks being left without supplies and components. "We should also expect increased competition from other manufacturers or imports, which are traditionally high for this product category. A sound business strategy, an understanding of its target audience, and a willingness to engage with representatives of the music industry are essential for the company," the expert believes.

Lolita Belova, Kommersant, December 11, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.

Rossiyskaya Gazeta: The vinyl craze has launched a factory.

Translation. Region: Russian Federation –

Source: Melody – An important disclaimer is at the bottom of this article.

Vinyl records were released in Novosibirsk for the first time in its history: production was launched at a subsidiary by the legendary Firma Melodiya, founded in 1964 as a state-owned company for the production, storage, and distribution of sound recordings.

Among the first editions already on sale are recordings of songs by David Tukhmanov, the band Zodiac, and the VIA "Dos-Mukasan," as well as "Autogenic Training for Alcohol Abusers. A Session of Emotional-Stress Psychotherapy for Those Wanting to Quit Smoking."

During Soviet times, the Berdsk Radio Plant, renowned throughout the country for its products, operated in the Novosibirsk region. Under the Vega brand, it produced cutting-edge technology at the time—recorders, tape recorders, stereo players, and even portable players. However, all the records were imported, and queues formed at local department stores for the most popular ones. The main record plant was the Aprelevka Record Plant, located in the Moscow region.

"There were various ideas about where to resume production. Not everything should be concentrated in Moscow or the Moscow region. Novosibirsk is a major transportation hub and is located equidistant between the West and East, which is also convenient for product delivery," noted Roman Abramov, Operations Director of the Firma Melodiya plant.

Approximately 160 million rubles have been invested in the record plant launch project. These funds were used to establish the production process, purchase raw materials, and purchase modern equipment, mostly imported. Suppliers include China, Sweden, Switzerland, and Italy.

It took nearly 14 months to prepare for the launch and test production. Now the process is streamlined and the first batches of records have been released. The minimum print run is 100 copies, depending on the customer's order.

The facility is designed for a full production cycle, from start to finish: pressing, cover design, and packaging. They plan to launch this entire production cycle, including matrix production, as early as next year. The potential capacity is 100,000 records per year.

"We're currently doing pressing and packaging, working on a full cycle. Then we'll be able to manufacture the dies ourselves, monitor their quality, and be independent of external contractors, allowing us to fulfill orders quickly," said Roman Abramov.

The title of the first album from the new production is "Autogenic Training for Alcohol Abusers. A Session of Emotional-Stress Psychotherapy for Those Wanting to Quit Smoking." The recordings were made in 1986 and 1987. This is the famous Soviet autogenic training and session, developed by doctors at the Energetik sanatorium in Yalta as part of a healthy lifestyle program and anti-alcohol and anti-smoking campaigns.

"It's quite a funny recording, one that people are sharing online as a meme, skeptical that the Soviet Melodiya label was capable of such a thing. In the 1980s, records with specially selected compositions and narrator instructions became a sought-after alternative medicine, perceived as a panacea for all ailments. We believe this release will be relevant in the run-up to the New Year holidays," said Karina Abramyan, Melodiya's First Deputy General Director. "We also couldn't help but include David Tukhmanov's 'On the Wave of My Memory,' which has remained a hit for 50 years, in the first batch of records. The cycle consists of ten pieces based on texts by Sappho, Goethe, Shelley, Mickiewicz, Baudelaire, Verlaine, Guillén, Akhmatova, and Voloshin."

Another release is the album "Disco Alliance" by the Latvian band Zodiac. Formed at the Latvian Conservatory, they strayed far from academic conventions into rock. "Cult recording," "bestseller," and otherworldly music are just a few of the epithets attributed to Disco Alliance. Another record was the landmark album by the VIA "Dos-Mukasan." Among music lovers captivated by the so-called "Soviet groove," Dos-Mukasan has developed a cult following. Dos-Mukasan are the founders of modern Kazakh pop music, drawing on the roots of folk tradition while simultaneously finding common ground with the Western world. The Kazakh VIA's first album has become a rarity, an object of desire, and a target for diggers and collectors. Its original edition, released in 1976, sells for record prices among vinyl enthusiasts for Soviet records. After 50 years, Melodiya is reissuing this album,” Melodiya’s official statement reads.

The 2025 vinyl masters were made from the original master tapes. Maxim Pilipov served as the sound engineer for the restoration and remastering.

Natalia Reshetnikova, Rossiyskaya Gazeta, December 10, 2025

Please note: This information is raw content obtained directly from the source. It represents an accurate account of the source's assertions and does not necessarily reflect the position of MIL-OSI or its clients.