Translation. Region: Russian Federation –
Source: Moscow Government – Moscow Government –
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The 7th Moscow Interior and Design Week has concluded, attracting over 180,000 visitors. Over 1,200 companies from 15 countries, including Saudi Arabia, Egypt, and China, participated in the exhibition, held in pavilions 55 and 57 at VDNKh. The Republic of Belarus and Hungary presented their national stands for the first time.
The design industry – creative unity and uniqueness
This season's theme is "Moscow – the Capital of World Design." To decorate the exhibition, the organizers used 17 kilometers of red thread. Its length symbolizes the continuous creative process that unites different generations, regions, and approaches.
Metaphor Center – project stand Made in Moscow Covering 150 square meters, it was the largest at the exhibition and featured a table bringing together representatives of the Moscow interior design and interior design industry. The stand featured products from 67 Moscow companies—guests could purchase furniture, textiles, unusual ceramics, and other interior design items at the market.
Of all exhibitors, 85 percent were representatives of small and medium-sized enterprises (SMEs), of which 86 percent were microenterprises.
Traditionally, regional manufacturers presented their exhibits at the exhibition. Graduates of the Vostok Design School presented furniture and lamps made from natural materials, inspired by the landscapes of Primorye. Volgograd's Sitega presented a line of accessories and sinks with a unique color palette. Vologda's Valkeda presented furniture series for historic buildings. Participation in the exhibition allowed these companies to establish themselves at the national level, enter new markets, and gain professional recognition.
Expert talks and exclusive tours
This year, for the first time, a separate area was organized dedicated to the development of industry professionals through specialized universities. More than 60 young designers from leading Moscow educational institutions—Kosygin State University of Russia, the British Higher School of Art and Design, the National Research University Higher School of Economics, and others—presented their projects. Exhibition curator Alexandra Sankova noted that this is Moscow's way of supporting emerging talent, who can gain a boost in their careers or become founders of their own businesses in the future.
The central exhibition was from the Stroganov Russian State University of Art and Industry, which celebrates its 200th anniversary this year. The exhibits included furniture, decor, tableware, lamps, and art objects, including projects created in collaboration with manufacturing companies. They reflected contemporary trends and the continuity of Russian design schools.
Expert presentations delving into the history and contemporary design extended beyond VDNKh. Twelve lectures were held at the Moscow Design Museum, the New Tretyakov Gallery, the British Higher School of Art and Design, and the Details Design School, attracting over 1,200 visitors.
The business and audience program at VDNKh was the largest event of the exhibition, encompassing over 200 activities. Its core consisted of 60 professional sessions featuring 261 speakers (235 Russian and 26 international). In addition, 36 sightseeing tours were organized for guests, attended by over 700 people.
A new feature was exclusive immersive tours after the exhibition closed. From December 11th to 13th, 14 such events were held, attended by 820 guests. Experts and guides discussed the Russian design industry, its trends, and key development areas. The program also included lectures, meetings with designers, master classes, performances, and culinary events.
Equally special were the factory tours, organized in conjunction with the city's "Day Without Turnstiles" project. This format allowed for a deeper understanding of the industry and an inside look at how interior design pieces are created. Visitors were able to observe the workshops and production lines of companies participating in the 7th Moscow International Design Week, learning the intricacies of creating furniture, finishing materials, and decor. Over 500 people attended the tours.
The Moscow Agency for Creative Industries also featured a stand, "Workspace for the Human of the Future." The stand concept, a collaboration with MNSlab and Krutalevich Interiors, showcased the synthesis of design, fashion, and art in the creation of a futuristic work environment. A unique print was developed specifically for the project and adorned two walls of the stand.
Buyer sessions and entry into new markets
On December 14, special buyer sessions were held to establish business connections between domestic producers and foreign representatives of international companies interested in purchasing Russian goods for import into their markets.
Russian companies included Finex, Avdeev Crystal, Khokhloma, Odin Geniy, TM Studio, Askona, BurgGlass, Arkhipelag Studio, Yaratam, and Maura. Foreign companies were represented by delegations from the United Arab Emirates, Saudi Arabia, Egypt, and India, including design bureaus, furniture and interior design manufacturers, and export organizations such as Feizo, Arcdesol, Trade Promotion Council of India, Alhashim Corp., Egyptian Exporters Association, and others.
Two major agreements have been reached with Saudi Arabia. Mesahat Interior
Moscow Interior and Design Week maintains its free format for exhibitors. An independent expert board selects exhibitors, so each season the exhibitor lineup is 60 percent renewed with new companies. Thanks to this approach, the exhibition remains a key driver of Russian design, confirming Moscow's status as the global capital of this field and a powerful platform for supporting SMEs and young talent.
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